I am well into production for the final edition of the Grand Bend Strip, which is a swimsuit edition that will go to every home in Grand Bend and to our 600 subscribers. Copies will be available at stores as well.

Because we are running a full distribution, about 1800 copies will go to homes in Grand Bend, with the rest going to subscribers in the area through our normal distribution for a total of 2200 delivered copies plus 800 store copies. This is a rare chance for you to hit every home in Grand Bend with your message, and I know this issue will remain on coffee tables for some time.

I have set my prices a little higher than normal, but much lower than should be expected for a full distribution run. We are still more affordable than any other local paper, despite a greater distribution for this run. This offer won’t come around again. Prices can be found at http://www.grandbendstrip.com/advertising/

I want to run as much colour as possible to show off the swimsuits being worn by local people you may know. Studies also show that colour is more attractive to readers, so you will get more eyeballs on your ad if you run colour. To make this more attractive to you, I am offering you a special deal: on top of your ad space rate, you can add colour for $50 for any ad less than 1/4 page, or $100 for any ad larger than 1/4 page. This is a huge discount from our normal rates (adding colour for a full page is normally $300 on top of your space rate, so you can save up to $200)!

To get a sense of how the farewell swimsuit edition is going so far, visit http://caseylessard.me or my facebook page at http://www.facebook.com/CaseyLessardPhotography

Please let me know as soon as possible the extent of your participation in this special issue. Hope to hear from you soon!

Casey Lessard
You can email me here
–
Publisher/Editor
Grand Bend Strip community newspaper

+1 (519) 614-3614 [cell]
+1 (866) 753-2781 [fax]

Last issue of the Strip comes to you July 14

View from the Strip
By Casey Lessard

The headline above may come to a surprise to some of you, but to others, you have heard the rumours already. Here’s the truth: Anjhela and I are moving to England, where she will pursue a master’s degree at the University of Oxford. How could we turn that down?
Of course, the inevitable questions include: what about the paper? It will be no more. Despite some hints of interest from other people, the fact is, the paper is too much work for even me to do for the compensation received. It’s always been a labour of love, and it would be like asking a stranger to adopt your child.
We are moving early September, and Anjhela starts classes in early October. I had originally planned to keep putting out papers until mid-August, but it doesn’t make much sense. Anyone who has ever made such a major move knows you need time to prepare. For me, as someone who earns most of his money from freelance and part-time work, I need time to get my act together. I need time to make a portfolio, which I haven’t done since I started the Strip. I need time to create a plan for the type of work I want to do, and time to create that work before I arrive in England.
I also have many commitments to my Grand Bend photo students, who are calling for classes that have been delayed due to the newspaper. It’s one of the many loose ends I need to tie.
My commitment of delivering a newspaper to you, the reader, ends with my next issue. I will always be committed to sharing my work with you, but you will no longer get this on a piece of newsprint after July 14. I humbly apologize. For most of you, your paid subscription of 16 issues runs out that issue, and the rest of you (who signed up after July 2009) will be hearing from me personally soon.
From a professional standpoint, I have achieved almost everything I desired when I started imagining the paper. I wanted it to be one of the best in Canada, but I’ll settle for one of the best in Ontario. I wanted a place to show my work and share stories, and that was a success. I wanted to be part of my home community again, and you welcomed me more than I ever dreamed.
From a personal standpoint, living and working here have afforded me many great opportunities. Humber College has been wonderful to me, as have my photo students here. I live with the love of my life, and share a great apartment with two sweet little dogs. My parents are close, as are many members of Anjhela’s family. We will miss it so much here.
This is not the final word from me, and you can keep up to date on everything Casey by visiting my new website: caseylessard.me . I will also add some further comments in the next issue. I hope you will add your thoughts on the end of the Grand Bend Strip and our future pursuits; if you send me a letter before July 7, I will make every effort to include it in the next issue.
I have but one unfulfilled desire for the Grand Bend Strip. I want to do a swimsuit edition. Seriously. You bring the swimsuit, I’ll bring the camera. We’ll show a location or activity you love about Grand Bend. You can trust me, right? If it sounds fun to you or someone you know, drop me a note now to schedule a shoot.
Even if you don’t want to bare your skin, I need to work on building a portrait portfolio. If you join my facebook page (Casey Lessard Photography) or I have your email address for the paper, you will hear from me soon about a special portrait deal for the summer. I’ll make it worth your while.
In the meantime, enjoy this issue, and look for the final Grand Bend Strip mid-July. Talk to you then.

School bands bring home gold, two silvers, and big awards from MusicFest Canada

Story and photos by Casey Lessard

They’re the best percussion ensemble in Canada, and they’re right here in our backyard. Led by music director Isaac Moore and coach Dave Robilliard, South Huron District High School’s percussionists won the Zildjian Outstanding Percussion Section Award at this year’s MusicFest Canada national competition in Ottawa May 22; graduating student Jon Gill of Grand Bend, who is attending UWO for music in the fall, won the Zildjian Outstanding Percussionist Award. Judge and seminar leader Wayne Toews called the group the best student percussion ensemble in Canada, and could challenge any group in the world. If that’s the case, says Robilliard, it’s because the students are fully committed to success.
“We challenge our students in a way that other percussion ensembles I’ve seen in Canada are not challenged,” says Robilliard. “We give them – and they’ve requested – very difficult material that requires extra time and rehearsal on their time. It’s one of the best things (judge) Wayne Toews has seen in high school percussion ensembles, so in his eyes, it’s world class. It’s a very flattering statement.”
The accolades came hours after performing at the nationals; the percussionists performed last and earned a gold standard, while two other groups led by Moore and fellow teacher Matt Weston – the senior concert band and senior jazz bands – performed earlier the same day, each earning the silver award.
“A lot of kids in the music program are goal-oriented students,” says Moore, “and they respond well to having a goal. Whether we go to nationals or regionals, that goal is one of the things that motivate them to continue to get better. MusicFest Canada is on a different level because you have 10,000 kids from across Canada who are passionate about music. Something really special gets created when you put them together in the same place.”
To compete at nationals, the bands had to earn either gold or high silver with invitation at the regional competition in London. When the nationals are held in Ottawa, South Huron finds it convenient to attend, and a great experience as well.
“Ottawa is a great place to play, and the National Arts Centre is one of the best concert halls in the country, as it should be,” Moore says. “The experience of playing in that building and hearing other bands in that building, it’s incredible for them. It’s probably something a lot of them won’t have the opportunity to do again, so it’s important for me that every student experience the nationals if possible.”
During the years when the competition is not in Ottawa, Moore and Weston take the music students on non-MusicFest trips, including last year’s trip to Chicago. It’s part of Moore’s mission to give a rounded music education.
“A teacher I had while at university asked, are you giving your students a fantastic four-year band program, or are you giving your students a fantastic band program for four years, as in the same program for four years,” he says.
“A lot of what we do is based on routine and tradition, and it called into question for me how you maintain tradition and routine, but also offer the kids a different experience over the four years they are here. It opened my mind to the different options of where kids can go and what they can learn. In the four years you’ve got, you can do a lot.”
This year’s trip to the nationals was the second for Robilliard, whose father Bob was music director at South Huron for many years. After returning to Canada from graduate school in Oklahoma, Dave Robilliard joined Moore and Weston – the three studied percussion together at UWO – three years ago to lighten their load.
“I am able to focus on techniques and sound concepts that Isaac and Matt can’t focus on in the large classroom or band settings,” says Robilliard, who, unlike education majors Moore and Weston, pursued performance at university. He now works with the Stratford and International Symphonies, serves as a substitute for the Kitchener and Windsor Symphonies, and performs in a percussion group called DuO. His contribution has led to great success for the students.
“We received a gold standard in 2008,” he says, “which was my first year working with percussion ensemble. There was still a large number of carryover of students this year – Jon Gill, Joe Pavkeje and Jeff Penn – and we won gold again. But we don’t do it for the awards. We want to see students grow as musicians and see their confidence grow on stage.”
While South Huron has a full trophy case – and that’s just from this year – Moore agrees that they’re not looking for pats on the back.
“The real measure of success is how we feel about our performances when we’re done. I measure our success as a teacher how we fare when we compete at a higher level (the 2008 bronze winning senior concert band competed in a higher bracket this year and earned silver). If we were not taking the kids to an uncomfortable place, it would be an exercise in self-confidence. It makes more sense to shoot a little beyond where you might be so you can develop.”
The success can be attributed to the approach of the teachers, and the commitment of the students.
“It’s a lot of practice, a lot of one-on-one with your section and Mr. Moore,” says graduating student Trish Pavkeje, who performed in the concert and jazz bands. “It helps that Mr. Moore and Mr. Weston are easy to talk to. It’s easy to ask them for help.”
“Everyone’s on the same level and enjoys being there with everyone else,” says Joe Pavkeje, a member of all three groups, winner of the national honour award for the jazz band, and SHDHS student of the year. “Our school isn’t segregated into athletic kids and music kids. Everyone is doing everything. It feels cohesive for that reason.”
Clarinet player Stephanie Pratt agrees.
“Kids from all over the school are in this, so you get a sense of diversity,” Pratt says, noting music is attractive because of the lessons you learn. “Self-discipline is important, you learn a lot of patience and togetherness.”
For Stephen Mills, who has experienced bullying at school, the inclusivity makes the music room a refuge.
“We have to work together to do anything in the band,” Mills says. “We all have to talk to each other, and when you have to talk to someone, you appreciate them for who they are.”
And that’s exactly what Isaac Moore wants to hear.
“If a student is willing to commit themselves to the educational experience, we try not to discriminate in any way. Students can find their place in the band based on their strengths and weaknesses. Without your strong players and weaker players, you can’t maintain consistency. Eventually the weak players become strong and take over the leadership roles.”
Now that many members of the successful bands are graduating, Moore, Weston and Robilliard look to the future.
“We take it year by year,” Robilliard says. “The younger students will now have an opportunity to succeed at a higher level than they’ve had in the past. We’re going to do a lot of different pieces in different styles, and give everyone an opportunity to learn and grow.”

SHDHS, Jon Gill named best in Canada

Jon Gill (right) of Grand Bend is a member of the 2010 Zildjian Outstanding Percussion Ensemble of the year (below), and winner of the Zildjian Outstanding Percussionist Award.

As told to Casey Lessard
Photos by Casey Lessard

When we won in 2008, it was the first time in six or seven years that any of our bands had earned gold at nationals. It wasn’t a tradition before, but over four years, we’ve earned seven golds at eight festivals. It’s a legacy of excellence at South Huron.
I still can’t believe it (the individual award). I know a couple of guys who have won it before, and I look up to them as amazing people who I want to be half as good as they are. To be compared to them on a national level, it’s mind-blowing for me.
I wanted to start playing drums in Grade 4, but my parents wouldn’t let me. They got me started on bass guitar, and then I came here to the high school. Mr. (Bob) Robilliard recognized that I had a sense of rhythm, so he gave me a pair of drumsticks and stuck me in the percussion ensemble. It really caught on and I really enjoyed playing. I bought my own drum kit and I started playing a lot.
A lot of us take lessons from Dave Robilliard, and he’s taken that percussion ensemble further than we could have imagined.
I don’t think we could do it without the help of dedicated professionals. It just gives us the real world experience and the ability to go beyond just playing. I’m hoping to be a high school music teacher (attending UWO in the fall), and I want to give back to students what my teachers have given to me.

A Killing Snow runs June 23 to August 13 and features Patricia Hamilton of Green Gables fame

Patricia Hamilton is a Canadian icon best known as Rachel Lynde in Anne of Green Gables and Road to Avonlea. A long-time stage performer at Shaw Festival and other theatres, she makes her Blyth Festival debut in Grand Bend resident Paul Ciufo’s A Killing Snow, which runs June 23 to August 13.
Nominated for the Governor-General’s award for drama for his play Reverend Jonah, Ciufo’s follow-up was inspired by the 2007 murders of Bill and Helene Regier, and focuses on the way people react to such events. “The panic people were feeling, and also the feeling of how could something like that happen here,” Ciufo says. “I explored that fear in a different way. My way of exploring that is writing a play.”
The play also examines the surprising complexity of small town life. One character is a pig farmer who also models. Patricia Hamilton’s character runs a lunch place in Clinton, but is also a psychic. Big cities aren’t always as dangerous as we think, and small towns aren’t always safe. These ideas are brought to light in a thrilling ensemble piece, and Casey Lessard spoke with star Patricia Hamilton to learn more.

Interview by Casey Lessard
Photo courtesy Blyth Festival

You are performing in Paul Ciufo’s play A Killing Snow. Tell me about the play and your role.
It’s a murder mystery about a group of people who get stuck in a farmhouse for four days because they can’t get on the road due to whiteouts. Murders ensue.
I play a middle-aged woman with a grown-up family who is on the road and ends up at this place. Her old lover owns the house and she hasn’t had anything to do with him for a long, long time. One of the other people stuck is her daughter’s ex-boyfriend. They all know each other, so when people start dying, you wonder who is killing whom.
It’s an interesting play by Paul because he doesn’t only write murder mysteries. He’s trying to broaden his writing. If you get a good murder mystery, it will do the circuit and can make the playwright some money.

I take it there aren’t very many older women in theatre; it’s really a young people’s game. Does that give you an advantage?
I think it does. There are a lot of plays being written about older people. The baby boomers are interested in people their own age and the problems of those people. I think you will see a lot of plays about people of that group. They’re going to see things that interest them about themselves. The second play I’m doing here at Blyth is called Pearl Gidley, and it’s about two elderly women living together in Blyth in 1969 who take in a boarder who is a deserter from the Vietnam War. It will speak to the audiences that come to Blyth.

Most people would recognize you from the role of Rachel Lynde, but you’ve been doing much more over the years as an actress. What has brought you to perform for the first time at Blyth?
I like the theatre more than I like television and film, although the Green Gables stuff was fantastic. I did it for seven seasons plus the four movies, so I played that role for about a decade. But I really am a theatre actress mainly, and I love working in repertory theatre, which is what they do at Blyth.
For the last 12 years, I have been at Shaw Festival, and I love doing that. Before that, I used to do a lot of new Canadian plays. There is nothing more wonderful than being the first person to say a writer’s words on stage.

Our most memorable moment from your career is in Road to Avonlea, where Rachel Lynde has a stroke. It’s such a touching concept.
That series was very good to work on, and it was given good production values from the beginning. And it was about an iconic book that every Canadian girl had read as a child. As we went along, the scriptwriter had already seen what I could do, so that script was written for me. When you got an episode where you were featured, like that one, it’s very exciting.

Sarah Polley was also in that show. She directed a film called Away From Her (adapted from a story by Alice Munro) about Alzheimer’s. It’s so interesting that you’re able to perform acts of reality for older people, for example strokes. Other Canadian films are also about this reality, for example Juno. Do you think we are different from the Americans in what we’re doing?
Yes. That’s one of the reasons we fight so passionately to have our own culture. We are not like the Americans in so many ways. Our culture should reflect who we are. We have to stand up for our culture, and Blyth is a place that really does that.

What’s special about Canadian theatre in particular?
It’s ours. We’re writing about what we know. And the actors who live in Canada have a better chance of being able to perform it because we know it. It’s fun to do plays about a place you know. That’s what Anne of Green Gables was about, too. It’s about doing things that are part of your culture.
I’m an actor. I’m a Canadian actor. I love performing on stage, and I love it in all its forms. There are plays from all over the world that attract me. I look for plays where there is a part for me, where it has something interesting to say, and where I can work with congenial comrades, all of which is true at Blyth.

If Thursday’s opener is any indication, Sweet Charity is sure to please crowds at the Huron Country Playhouse. Starring Stratford legend Cynthia Dale as hopeless-in-love dancer-for-hire Charity Hope Valentine, the cast is rounded out by a line of women whose talent bursts from their barely-there costumes. Their necessary sex appeal is only effective because they (and the male actors) are a solid crew of triple threats, and director Michael Lichtefeld and associates are to be credited for bring fresh talent to the Huron Country Playhouse stage to complement (and in some instances, overshadowing) Dale’s talent. “Big Spender” sets the tone for the musical, and this solid performance outshines the movie version because the actors are sexier and desperately powerful. Spot on.
Sweet Charity is a romantic comedy that breaks away from the expectations of the genre, creating tension in relationships and depth in its characters so often lacking in such plays. Bringing the best of drama, comedy, dance and song, this play is one of the best staged at HCP in recent years, and is well aimed at audiences that like musicals and are familiar with the 1960s era (i.e. HCP’s core supporters).
While most of the cast had two weeks to rehearse for the show, Cynthia Dale spent the better of six months learning her part to lead the way. At 49, Dale shows no signs of stopping. That said, this role was a dream she had yet to fulfill in her storied career, including the 10 years she spent as the darling of Stratford Festival artistic director Richard Monette before his retirement in 2007.

Casey Lessard stole Dale away from her lunch break to discuss the role and how she ended up in Grand Bend.

Interview and photo by Casey Lessard

Cynthia Dale: Sweet Charity had been a dream role of mine for 30 years. It’s been the part I have wanted to do, and I’ve had some fabulous parts. In January, I was out with some girlfriends, and they said, well, why aren’t you doing it? I said I was too old, etc., but they convinced me to do it.

You’ll be 50 this year.
In August. It’s hard on the old bod. I am a dancer, thank God. I didn’t have to learn how to dance for the part. It’s a full part for anybody at any age. It’s just a lot of work, but that’s okay.

What attracted you to this role?
It’s who Charity is. She wears her heart on her sleeve and is full of moxy and sass. She’s a broad, but she believes in love and sees the world through rose coloured glasses and dreams of another life. She’s a part of everybody in the world because everyone has those qualities.
The show has some of the best music to sing and dance to. It’s just a fabulous show for music. It doesn’t come along that often. It had a revival on Broadway a few years ago and had a brief tour. If I didn’t step into it at this point, I may not get the opportunity again.

This is your first time with Drayton. What’s that been like?
It’s great because I know so many people in the cast. I’m doing it because it’s Michael Lichtefeld’s production. I did six shows with Michael at Stratford over the years. He knows me really, really well and knows what my strengths and weaknesses are. I knew I was going to be in really good hands with him.

You’ve been performing for a long time; most of your life. Do you find the roles you think you should be doing are changing?
No. I’ve been really lucky in the past two or three years. That hasn’t hit me yet. I played the crème de la crème parts in theatre for 10 years. There weren’t many more that I wanted to play other than this. There are others, but they are older ones. I’ve got some time for those.

You’ve also done some production work, including judging Triple Sensation (she spent the last two years co-producing a CBC movie). With your reputation, are you able to write your own ticket?
No, I don’t write my own ticket. I still audition.

But your name must carry some cachet.
I guess it does. I got offered a play in Toronto this week I’m probably going to do. I still lose parts I really want to do. Usually they’re TV or film roles. I’ve done pretty much every role I wanted to do in theatre. There are parts that come along and the director just doesn’t think you fit into his vision. That’s what theatre is.

There’s a mystique about people who are on television or film that they are different from other people, but it doesn’t exist.
No. We go buy groceries. We’re normal people and we have every single joy and hardship that everyone else does. I love performing, but it’s not the be all and end all for me.

This is your first time being to Grand Bend, but you haven’t been downtown yet.
I’ve been too busy. I started training in January, and Michael and I started rehearsals a month beforehand.

I see you also do art, and especially beach scenes. I’m surprised you haven’t been down to the beach.
I know, that’s what people keep saying. Go paint the beach. Part of the plan in July is to paint.

Looking at where you’ve been and what you’re doing, what would you like to do for the next 25 years?
I want to raise a good kid. That’s the dream. That’s all. If I work, that’s lovely, too.

South Huron District High School held its seventh annual Relay for Life for the Canadian Cancer Society June 11. The overnight walking relay raised $40,000 this year, bringing the total raised by walkers and their sponsors to $250,000 over the years.
Next year’s relay runs June 10-11 with the theme of “Somewhere Over the Rainbow”.
Above: prostate cancer survivor Harry Dougall of Exeter gets help releasing his balloon after the survivors’ lap.

The Grand Bend Strip and publisher Casey Lessard took home more awards than any other newspaper in Ontario Friday, May 14 at the Ontario Community Newspapers Association gala held in Toronto. Here are the results and judges’ comments:

3rd place – General Excellence (best overall paper), circulation under 1,999
Note: Top marks in 4 of 11 categories, including Front Page, Presentation, Photography, and Production Quality
Judges Norm Park, Cindy Beaulieu, Kelly Clammer, Heather Thomson: The most eye-appealing publication in this class. No question about artistic quality and photo presentation. That is tops in the class. This paper also provides good, easy to read features with strong leads. It’s a home-spun feel-good paper with a professional flair.

2nd place – Photographer of the Year (competing with all newspapers)
Judge Bill White: Strong features. Some very nice lighting.

1st place – Best Creative Advertising (under 9,999) – ad promoting Casey365.com
Judge Wayne Aubert: Unexpected clean layout for the clutter of ads in a community paper.

1st place – Best Feature Photo (under 9,999) – cover photo from Parkhill fair
Judge Dave White: I think the photographer made some smart decisions regarding depth of field and camera angle to help us feel this child’s pure joy. The viewer is right there with her. I really love this image.

2nd place – Education Writing – SHDHS music trip to Chicago
Judge Richard Dal Monte: Great photos and a good idea going along for the ride on the band trip to the Windy City.

3rd place – Best Sports Photo – Hockey Night in Zurich dressing room photo
Judge Ron Scheffler: The photographer is commended for exploring behind the scenes to reveal a closer look at those who play simply for the love of the sport.

3rd place – Best Photo Layout – Parkhill’s Five Fun Days
Judge Joe Callahan: An uncomplicated layout and typography that allowed the photograph to communicate effectively.

3rd place – Best Rural Story (under 9,999) – potato farmer Marcus Koenig
Judge Jake Boudrot: Well written, well researched, significant local story, with a nice layout and excellent photographs.

Why you’ll see PVB on the beach this summer

PVB Enterprises runs Canada’s largest independent beach volleyball camps. When one of owner and former national team member Mark Reilly’s club players, Taylor Ivey, and her parents Charlie and Katrine invited him to Grand Bend, an idea was born.
Reilly proposed developing a program in Grand Bend similar to the one he started in 1999 at Ashbridge’s Bay in Toronto. With plans to operate youth and adult camps and tournaments on the town’s north beach, Reilly and PVB approached Lambton Shores council in October 2009 and entered into a contract March 29, 2010 to run 15 courts for ten summers for $1500 per year.
Residents were informed April 5, and expressed to Reilly and the Iveys at a PVB-hosted meeting May 1 that they disapproved of the project and wanted it stopped.
While council supports the project, contractual problems (discussed on page 4 of this edition) led Lambton Shores to give PVB the 60 days notice required to void the contract. Council decided Monday night to renegotiate, and the matter is before lawyers. The Grand Bend Strip spoke with Mark Reilly Sunday night, ahead of the meeting, to see what he’d like to see now.

Photo by Casey Lessard
Assisted by Alicia Adamski and Sarah Laws

Interview by Casey Lessard

Grand Bend is not your first venue for this project.
We started in Ashbridge’s Bay in 1999. We had six kids in my first camp, and now we have more than 200. The relationship through Not So Pro was to develop youth programming, and when I was developing that, my friend who played against me on the national team, Mike Slean, noticed the business and offered to set up the business in Pickering. That was the first time we set up a model outside of Ashbridge’s Bay. Over the years, as we started developing, the Iveys came into my life with their daughter Taylor, who plays on my club team. They invited me up to Grand Bend and I saw the venue and facility, and thought this was a great pocket to start a new program.

Some changes to your original contract have been made as of Friday. What is the status?
Following the May 1 meeting we had with the community, we realized and were sensitive to many of the residents’ concerns. We’ve scaled back the contract and nothing has been signed yet, but we’ve had discussions with the municipality on how we could change a few clauses. Essentially adapt the contract to better suit the needs of the community and the municipality. We realize that the nature of the contract will demand an exceptional relationship with the municipality.

Here are some quick facts about the program: the original contract pitched 15 courts on the north beach for 10 years at $1500 per year; basically 9 a.m. to 9 p.m., seven days a week for 15 weeks. What is the new agreement you’ve come up with the town?
We’ve scaled back the number of courts from 15 to 10 in year one. We’ve cut out all of the adult programming, all of the liquor licences and the idea of running tournaments where liquor would be involved for year one. We’ve entered a profit sharing agreement with the municipality where registration that comes through on the tournament side would result in revenue for the municipality. We’ve taken all of their concerns and digested them and came up with a proposal we believe will be suitable to the municipality and the residents.

Is the time length pretty similar?
We’ve scaled things back big time. We’re trying to show the residents and the municipality that we are listening and we’re hoping the residents will be sensitive to the changes and aware that the changes were made on behalf of them.
The courts are not being used nearly as much as it appears. In terms of the beach being used 24/7 by the beach volleyball courts, that’s not even close to a true equation. We have three child youth camps in place that are 9 a.m. to 4 p.m. on weekdays, and that’s for a total of three weeks. We’re running three OVA youth tournaments; we cancelled our first tournament in June.

One big change is the venue.
Yeah, the venue is now being changed to the main beach. For us, it’s equally exciting. Each beach has its advantages, but the main beach, we’re very happy to be there.

Would you consider other venues?
The program needs to exist and function out of the Grand Bend beach. The beach is the lifeline to the success of the program. Tourists and volleyball clientele want to be on the beach and experiencing beach volleyball on the beach in front of the water. Grand Bend presents an exceptional beach to do that on.

A lot of people remarked on the dollar figure for the original deal. What is the situation now?
The municipality will be making more money now, but it’s a win-win. What will end up happening in the new deal, the town will make more money with more programming. Should we be offered more tournament time, the municipality and businesses will make more money. Should they decide to lighten the tournament load, they end up getting less revenue. They want more money, they’re getting more money. But with that, we have to have more tournaments.

What is your vision for beach volleyball in Grand Bend?
We’re going to take slow steps and see what the market yields. If you do your research, some of your top volleyball players, including the top male and top female, came from the London and Kitchener-Waterloo areas. Western Ontario has a great volleyball history, and that history will get better. You’ll start to see beach volleyball athletes develop. Athletes simply don’t want to travel to Toronto and Cobourg, so our hope is a lot of families will see an opportunity to stay close to home and invest their time and energy in Grand Bend.

What’s your reaction to the way the community reacted to your proposal?
You have a generational gap who don’t understand the demands that young children are faced with and the many routes young children and adults can take these days. They don’t get the PlayStations and all the other distractions life presents for these families and young kids. I’m sensitive to that. I’m not calling them naïve. I’m calling them unfamiliar with the environment kids are dealing with.
At the same time, I’m completely aware and sensitive to these families who are craving more for their children. This program, without a doubt, is going to give the community a healthy, athletic focus. There are many residents, older and younger, who are afraid to speak. The way the other side presented their case, it was quite bluntly very aggressive. Any time people are afraid to speak, you have a problem. People should be able to speak openly and voice their opinions, and that certainly was not the case with this item. A lot of misinformation was dealt initially, and that bred anger and created a revolt against the project. As a citizen, I don’t agree with that.

I understand you have received some threats. Do you have any safety concerns?
I don’t. I think there will be a lot of focus and attention dealt toward volleyball and I think it’s a good thing. People are going to quickly realize this is a good, sound project, and we’re doing a good thing for the community. People involved in the project are going to take a lot of pride in the program, what we’re doing. I’m not concerned about safety at this point. We’ve addressed some of the safety issues, and we made it very clear that we’re going to be watching very carefully for outsiders who are not in support of the program.

There have been suggestions that because of your relationship to Charlie Ivey, who is related to former mayor Cam Ivey, that some favour was curried here. Has your affiliation with the Iveys led to any special treatment at council?
For anyone who wants to know how the volleyball business works, this has been the most taxing volleyball project I’ve ever been attached to. For anyone who thinks this has been an easy journey and that the Iveys have helped streamline this process and make it easy for us to get a contract, they’re sadly mistaken. Of every deal I’ve ever put together – with literally 20 or 30 companies or municipalities – this has been an extremely detailed process. Charlie has been a mentor to me, but in no way, shape or form has the Ivey name taken this deal through the pipes easily.

How do you heal the gap between your company, which wants to be here, and the people who are already here, especially the group led by Ed Fluter? What steps can you and they take to heal that rift?
I think they have to understand that there is a generation looking for more. We’re very grateful and thankful to be on the beach. We plan on working through a program model that is respectful to the community. If they plan to continue to slam the program and ruin the program, if that’s how they want to spend their lives and create their legacy in Grand Bend, that’s their path. If that’s the path they want to take, no one can stop them. But I’ll tell you that they’ll be upsetting a lot of families if it continues.

What is Grand Bend missing if it decides not to do this?
It’s a watershed moment. In the community of Grand Bend, we’ve had countless people email us to say they’re scared and are starving for a program like this. There’s a group of people that yields a lot of power and they do it in ways like mobbing. That’s what this was. They created misinformation and have managed to get a whole lot of people angry.

What if you aren’t here? What will you do?
I’ll continue on. I’m a passionate guy who’s involved in a game that’s done a lot for me. I don’t plan on ever stopping my volleyball journey. The sport has done wonderful things for my life and I feel I’m a disciple of the game.
If we need to go an alternative route, we will. But my hope is we don’t have to go down that road. I’m really confident that Grand Bend is the right spot to be.

Ed Fluter is a Grand Bend resident and representative of a new community association supported by many residents in the area. Fluter and his group oppose the PVB project – and any others – using the public beach for commercial purposes.
The Grand Bend Strip spoke with him shortly before Monday night’s council meeting.

Interview and photo by Casey Lessard

What are your main issues with volleyball on the beach at Grand Bend?
This is not a volleyball issue. I am a strong proponent of volleyball and other sports. My career was as a physical educator and coach. I love volleyball and sports and the benefits of sports. This issue is about commercializing our beach, a beach that has been designated for public use. It’s my feeling and our feeling – I represent a fairly large segment of the population right now – that no commercial activity should take over any portion of any of our beaches.
Beach volleyball is big business. If you have John Morrison of Not So Pro owing the City of Toronto $328,000 (including, according to the Globe and Mail, $113,000 for three months rent), you have to know this is big business. Even if it weren’t a huge potential for business, it’s still a for-profit activity on our beach.

So what do you say to suggestions that many of those opposed are of a certain generation that does not understand the needs of young people?
It has absolutely nothing to do with it. We are trying to protect this beach for people of all ages. We feel it is totally unfair that an organization of any kind is allowed to take over and lease a portion of public beach for private use for four months. One of the great joys I’ve seen over the years, on that part of the north beach that is not used for bathing purposes, the area considered underutilized is often used for spontaneous free play for people of all ages. I’m a strong advocate of that. Zoning regulation states that lakeshore be used for such passive recreation.
This deal is a precedent we don’t want to be set. I’m not against non-profit groups coming in and using a portion of the beach for a weekend, preferably during the shoulder seasons. In fact, I would be a proponent of that.
That portion of the beach that will be used for beach volleyball can be used by nobody else if they’re running from 9 a.m. to 9 p.m., seven days a week for the entire summer.

You are part of a new group referred to at council as the Community Association of Lambton Shores. Can you tell me about that?
We felt that our voice was not being heard. When you can show up with 100 people at three or four council meetings, when you can show up with 200 at the only meeting we had any opportunity to have input in (the PVB meeting on May 1), when you can get over 1000 names on a petition, including 50 businesses, when you can get that kind of vocal majority and be totally disregarded, you have to take further steps to fight this and other concerns through a group.

This has become quite a heated debate. Someone suggested they would put spikes in the courts where the children were playing volleyball. Do you and your group condone such violence?
Absolutely not. We condone no form of civil disobedience.

What do you plan to do if the revised agreement with fewer courts, shorter hours and fewer tournaments goes ahead this summer?
We are against that because it still doesn’t solve the bottom line issue. We have a number of strategies planned that I would prefer to keep in confidence at this point in time. We’re not going away. We’re not going to roll over and give up on this issue. We’ll take it as far as we possibly can.
There’s a small minority – I call them the silent minority – who claim they haven’t been heard, but have made no attempt to be heard in a formal, professional way other than complaining and gossiping in the background. Let them step forward and speak out.
We’re not getting personal in this debate. I have no personal issues with the proponents. This is an issue we’re fighting because we strongly believe in it.