South Huron District High School music director Isaac Moore leads the senior concert band at MusicFest Canada in Ottawa

Story and photos by Casey Lessard

They’re the best percussion ensemble in Canada, and they’re right here in our backyard. Led by music director Isaac Moore and coach Dave Robilliard, South Huron District High School’s percussionists won the Zildjian Outstanding Percussion Section Award at this year’s MusicFest Canada national competition in Ottawa May 22; graduating student Jon Gill of Grand Bend, who is attending UWO for music in the fall, won the Zildjian Outstanding Percussionist Award. Judge and seminar leader Wayne Toews called the group the best student percussion ensemble in Canada, and could challenge any group in the world. If that’s the case, says Robilliard, it’s because the students are fully committed to success.
“We challenge our students in a way that other percussion ensembles I’ve seen in Canada are not challenged,” says Robilliard. “We give them – and they’ve requested – very difficult material that requires extra time and rehearsal on their time. It’s one of the best things (judge) Wayne Toews has seen in high school percussion ensembles, so in his eyes, it’s world class. It’s a very flattering statement.”
The accolades came hours after performing at the nationals; the percussionists performed last and earned a gold standard, while two other groups led by Moore and fellow teacher Matt Weston – the senior concert band and senior jazz bands – performed earlier the same day, each earning the silver award.
“A lot of kids in the music program are goal-oriented students,” says Moore, “and they respond well to having a goal. Whether we go to nationals or regionals, that goal is one of the things that motivate them to continue to get better. MusicFest Canada is on a different level because you have 10,000 kids from across Canada who are passionate about music. Something really special gets created when you put them together in the same place.”
To compete at nationals, the bands had to earn either gold or high silver with invitation at the regional competition in London. When the nationals are held in Ottawa, South Huron finds it convenient to attend, and a great experience as well.
“Ottawa is a great place to play, and the National Arts Centre is one of the best concert halls in the country, as it should be,” Moore says. “The experience of playing in that building and hearing other bands in that building, it’s incredible for them. It’s probably something a lot of them won’t have the opportunity to do again, so it’s important for me that every student experience the nationals if possible.”
During the years when the competition is not in Ottawa, Moore and Weston take the music students on non-MusicFest trips, including last year’s trip to Chicago. It’s part of Moore’s mission to give a rounded music education.
“A teacher I had while at university asked, are you giving your students a fantastic four-year band program, or are you giving your students a fantastic band program for four years, as in the same program for four years,” he says.
“A lot of what we do is based on routine and tradition, and it called into question for me how you maintain tradition and routine, but also offer the kids a different experience over the four years they are here. It opened my mind to the different options of where kids can go and what they can learn. In the four years you’ve got, you can do a lot.”
This year’s trip to the nationals was the second for Robilliard, whose father Bob was music director at South Huron for many years. After returning to Canada from graduate school in Oklahoma, Dave Robilliard joined Moore and Weston – the three studied percussion together at UWO – three years ago to lighten their load.
“I am able to focus on techniques and sound concepts that Isaac and Matt can’t focus on in the large classroom or band settings,” says Robilliard, who, unlike education majors Moore and Weston, pursued performance at university. He now works with the Stratford and International Symphonies, serves as a substitute for the Kitchener and Windsor Symphonies, and performs in a percussion group called DuO. His contribution has led to great success for the students.
“We received a gold standard in 2008,” he says, “which was my first year working with percussion ensemble. There was still a large number of carryover of students this year – Jon Gill, Joe Pavkeje and Jeff Penn – and we won gold again. But we don’t do it for the awards. We want to see students grow as musicians and see their confidence grow on stage.”
While South Huron has a full trophy case – and that’s just from this year – Moore agrees that they’re not looking for pats on the back.
“The real measure of success is how we feel about our performances when we’re done. I measure our success as a teacher how we fare when we compete at a higher level (the 2008 bronze winning senior concert band competed in a higher bracket this year and earned silver). If we were not taking the kids to an uncomfortable place, it would be an exercise in self-confidence. It makes more sense to shoot a little beyond where you might be so you can develop.”
The success can be attributed to the approach of the teachers, and the commitment of the students.
“It’s a lot of practice, a lot of one-on-one with your section and Mr. Moore,” says graduating student Trish Pavkeje, who performed in the concert and jazz bands. “It helps that Mr. Moore and Mr. Weston are easy to talk to. It’s easy to ask them for help.”
“Everyone’s on the same level and enjoys being there with everyone else,” says Joe Pavkeje, a member of all three groups, winner of the national honour award for the jazz band, and SHDHS student of the year. “Our school isn’t segregated into athletic kids and music kids. Everyone is doing everything. It feels cohesive for that reason.”
Clarinet player Stephanie Pratt agrees.
“Kids from all over the school are in this, so you get a sense of diversity,” Pratt says, noting music is attractive because of the lessons you learn. “Self-discipline is important, you learn a lot of patience and togetherness.”
For Stephen Mills, who has experienced bullying at school, the inclusivity makes the music room a refuge.
“We have to work together to do anything in the band,” Mills says. “We all have to talk to each other, and when you have to talk to someone, you appreciate them for who they are.”
And that’s exactly what Isaac Moore wants to hear.
“If a student is willing to commit themselves to the educational experience, we try not to discriminate in any way. Students can find their place in the band based on their strengths and weaknesses. Without your strong players and weaker players, you can’t maintain consistency. Eventually the weak players become strong and take over the leadership roles.”
Now that many members of the successful bands are graduating, Moore, Weston and Robilliard look to the future.
“We take it year by year,” Robilliard says. “The younger students will now have an opportunity to succeed at a higher level than they’ve had in the past. We’re going to do a lot of different pieces in different styles, and give everyone an opportunity to learn and grow.”

Percussionist Jon Gill performs at MusicFest Canada

Jon Gill (right) of Grand Bend is a member of the 2010 Zildjian Outstanding Percussion Ensemble of the year (below), and winner of the Zildjian Outstanding Percussionist Award.

As told to Casey Lessard
Photos by Casey Lessard

When we won in 2008, it was the first time in six or seven years that any of our bands had earned gold at nationals. It wasn’t a tradition before, but over four years, we’ve earned seven golds at eight festivals. It’s a legacy of excellence at South Huron.
I still can’t believe it (the individual award). I know a couple of guys who have won it before, and I look up to them as amazing people who I want to be half as good as they are. To be compared to them on a national level, it’s mind-blowing for me.
I wanted to start playing drums in Grade 4, but my parents wouldn’t let me. They got me started on bass guitar, and then I came here to the high school. Mr. (Bob) Robilliard recognized that I had a sense of rhythm, so he gave me a pair of drumsticks and stuck me in the percussion ensemble. It really caught on and I really enjoyed playing. I bought my own drum kit and I started playing a lot.
A lot of us take lessons from Dave Robilliard, and he’s taken that percussion ensemble further than we could have imagined.
I don’t think we could do it without the help of dedicated professionals. It just gives us the real world experience and the ability to go beyond just playing. I’m hoping to be a high school music teacher (attending UWO in the fall), and I want to give back to students what my teachers have given to me.

Some of you may recognize the name Murray “Slim” Gordon Lewis from his long and storied career as a musician in Ontario and across North America. For others, like the editor’s parents, he was your insurance salesman.
Slim Gordon, as he was called, was born in 1926 in Yarmouth County, Nova Scotia. Today, he lives alone in an apartment in Exeter. In December, he was diagnosed with cancer. A fellow reader, Diane Lovie thought you might like to hear his story.

As told to Casey Lessard
Portraits by Casey Lessard
WSM images courtesy Slim Gordon

I had my own radio program when I was six years old in Yarmouth, Nova Scotia. I had been performing with other kids on a children’s program every Saturday afternoon, and the Rawleigh man came to the house one day. He was so used to our place that he just walked in. My mother played the pump organ and she was teaching me a new song I was going to learn for the program on Saturday. When we were done, my brother came into the parlour room to tell us that he was out there, so we went into the kitchen. He had been listening to the rehearsal.
I was a boy soprano and he said to my mother, “The radio station is looking for someone to star in a program, and my wife plays piano for them.” He said, “Why don’t you bring your son down some evening and let my wife hear him?” She took me down and I got the program.
I did that for two years. The announcer was also the announcer for the show with the children. He retired to Newfoundland, so they didn’t have an announcer to do the kid’s shows. He was very good at it. I remember they didn’t have an adjustable microphone. It was a set height. If they stood me on a chair, I was too tall. If they didn’t stand me on a chair, I was too short. They had to sit me on the announcer’s lap to do the program. He was adjustable.

Boston-bound
When I was 15, I decided to start my own band. I rented a country hall for $5 per night, and we made our own posters. We had a full house. We charged 25 cents admission, and made $7 each. Farmer’s helpers were working a whole month for $10.
This was 1941. We didn’t have electric instruments. Everything was acoustic. It was a rousing success.
When I was 17, we had a dairy farm and a milk route and delivered milk by the bottle. I met a customer one Sunday, and his wife told him I sang cowboy music. There was no such thing as country music at the time. John lived in Boston, Massachusetts. He said I ought to go to the radio station and get a program on the radio.
I stayed with my uncle, who lived in Boston. While there, John took me to a country outfitters. My father gave me $100 to buy western pants, a western shirt, belt and boots, and a new guitar. John took me to a photographer and I had my picture taken. He took my picture around to the different nightclubs and tried to book me. Damned if he didn’t! I played a different nightclub every night. I was 17 and too young to drink, but that didn’t matter.
He took me to WMEX radio, and a fellow named Gene LaVerne had a country band and did a country show every day at noon. He listened to me sing and told me he didn’t have any work for me, but he got me some bookings.
John got me booked on the Boston Barn Dance, which was broadcast from the Armories every Wednesday night. I did one show and then the next week. We were leaving to come back to the house, and there were three girls standing in the lobby.
One girl came over, shook my hand, and said her name was Betty Lee. “I’m going to be doing a tour of Nova Scotia,” she said. “We’re going to be doing a radio show there and we’re looking for a boy who can sing, play guitar and act as straight man for our comedian.”
How much do you pay?, I asked. “You get $25 a week, even if you don’t work the whole six days. And you won’t have to worry about the fare back to Yarmouth because we have our own car.” So I had a job.
The next year, she was planning a U.S. tour, but I couldn’t get a work permit to work in the U.S. because they were still under wartime rules. The company I was working for offered me a position in Hamilton, and I took the chance. I worked for Cosmos Imperial Mills and I ran a loom that wove felt that was 40’ wide by 200’. It was used in paper mills.

The move to Ontario
I came to Hamilton in 1948 and started my band in 1949. We were doing a Saturday night show with three other bands at CKPC radio in Brantford. The Cockshutt plow company was hosting a show and they wanted a country band. The plowing match was coming up in Paris, and the announcer thought it would be fair to run a contest for the four bands to do the job. The audience chose. We got the job.
We had sporadic work. We rehearsed in case something came up. Then the band started pestering me. “We’ve been rehearsing two to three nights a week for two years. Are we ever going to go out and get jobs working nightclubs or something?” So I thought, well, we have a big enough repertoire – I could do 500 songs myself – maybe I should go see what I can do.
We had an audition at Hanrahan’s Tavern, and we got our first job. I told him what our price was and he accepted it. We didn’t have an argument. We had a two-week gig, which was normal. The first week, I noticed a guy came in and sat at the bar. He looked like a businessman. He came again the next night. He said, “I’m Harold Kudlutz, I book bands.” He became our agent. He booked us for quite a long time.
I had a good paying job because not a lot of people can weave felt. Now I had a problem. Halfway through the second week at Hanrahan’s, I was bushed. I went to my factory manager and explained the situation. I asked for Wednesday mornings off to get a day that I could sleep in and catch up. I didn’t want to quit what I was doing because I had been working toward it for a long time. He agreed to it.
Then, by golly, we started getting bookings in Toronto. So I went back to him. “Now what do you need,” he says. “Well,” I told him, “I’ll make it short and to the point. Can I get a six-month leave of absence?” It’s quite a question to ask someone. He said, “I suppose if I don’t give it to you, you’re going to quit.” I told him, “I guess you’re right.” He gave it to me.
That was the end of working in a factory. I never went back.
By this point, I had been married a long time. Since 1950. We met when I was trying to start a show in Hamilton at a supper club with a dance floor. I was hoping it would be a success, but it bombed. We ran it for four nights. My best friend was putting up the money for it, and he wasn’t a rich man.
Rita Muir was a girlfriend of my competitor, Mike Patoma. He came to one of the shows, and brought her and her girlfriend.
He took me down and introduced me to her. It was a mistake on his part, if he was serious. But then, it was a big mistake on my part because I married her. We were married for 12 years. Twelve years of pure hell. We had three daughters, but the last one, Leslie, wasn’t mine. That was the end of the marriage.
That didn’t stop me from loving the little girl. She had nothing to do with it. When we broke up, Rita took Leslie with her.
Last January, one of my daughters died of cancer. The night of her memorial, some of the family came and Leslie came, too. I said, “The last time I saw you, you were 10 years old.”
She said, “I remember the last time I saw you.” I asked how old she was, and she said 52. I said, “I haven’t seen you for 40 years.” She looked the same. I couldn’t believe it. Forty years. And she still felt like my daughter. She threw her arms around my neck and stood there and cried. It had to be 20 minutes. I haven’t seen her since.

Hit the road, Slim
(After my marriage ended,) I did a tour with George Jones and one with Hank Snow, each for a month. I’m still playing nightclubs, but now I play Toronto a lot. We didn’t have a holiday for two years, so I went back to Oshawa, where I bought a house. I gave Rita the house in Hamilton to take care of the girls.
I used to run Saturday night shows in the Red Barn. In the fall of ’64, a fellow came who owned a dude ranch north of Kirkland Lake. He wanted to know whether the band and I would do a TV show from the ranch as a form of advertising. We settled on a price for Sunday night.
The guy was going to try to pull a fast one on me. If you’re in this business long enough, you get wise to this stuff. He wrote me a cheque that night when the show was finished. I was up the next morning when the bank opened and I went into the bank. The teller told me they couldn’t honour any more cheques from him. I could see his idea of the TV show, but not with my money. Back to the ranch.
I pull into the yard of the ranch, and he’d just come out of the ranch house with a metal cash box in his hand, heading for the bank. He said, “Where’ve you been?” I said, “To the bank, they wouldn’t honour your cheque.” He told me to come back into the ranch house and he’d give me cash. All smiles, I told him that would suit me just dandy. His wife stood there gritting her teeth.

We wound up in Hearst, the last jumping off point in Ontario. You either have to turn east or west; you can’t go north, no highway. I met a guy who came and asked if he could play banjo on my show. His name was Smiley Bates. Not too many guys running around playing the five-string banjo. Hard to play.
He said, “I play everything. If it’s got strings on it, I play it.” And he did. He played them all equally well. I needed a smaller band to play nightclubs, so I thought I’d hire him. Before I left Hearst, I had a booking at the Franklin Hotel in Kirkland Lake.
I had two weeks off and I was in Oshawa. My agent called and said the band playing the Queen’s Hotel in Seaforth was from the United States and their banjo player ruptured his appendix. They can’t play a show without him. He asked if we would fill in. And here I thought we’d have two weeks off.
We had a ball. The second night we were there, Smiley said to me, “Did you see the blonde that came in here?” I said, “I’m not bothered with women, I just came through a bad marriage.” He said, “She’s really something. She’s got blonde hair she can sit on.” And she did. I like long hair.
He said he’d take me down and introduce me during the break. That was his mistake. I sat and talked to her until my break was over. She had a good head, and she was real pretty. Her name was Lydia Roelofs. Dutch. She was a dandy.
When we got married, she was 20 and I was 40. They told me I was robbing the cradle. We were married for 34 years. Had two kids that made us proud. Their mother, I give the credit for that because I was on the road all the time.
I took three weeks off, and thought, I can’t subject Lydia to life on the road. If I take her to Oshawa and dump her in my apartment, I don’t know when I’m going to get back and that wouldn’t be fair to her. I thought if she could stay in Exeter, that would work out because she has friends here, went to high school here.

End of the line
In 1970, I got booked in Vietnam, so I took it. The money was damn good. I was going to be entertaining American troops.
It was busy. You flew somewhere every day of the week. If you couldn’t fly, you took a train or a van. I was by myself, no road band. A lot of clubs had house bands. You want to talk about bands? Get a Japanese or Filipino country band; as good as anything in Nashville. Couldn’t speak a word of English. Well, there was always one guy who could speak enough that you could get by, but other than that, no. Did that for 17 weeks.
The closest I came to being in danger that I know of, I was flying from Manila in the Philippines to Taipei, Taiwan. When we got there, my road manager came running as I came down the gangplank. He said, “We were really worried. We didn’t know if you were going to get here or not.” I said, why?
He said, “What time did you leave Manila?” Quarter past twelve. He said, “Well, they blew up the airport at 12:30.”
I was over there in 1970 over Christmas, New Year’s, and my birthday, December 30. I missed my family, and I thought this is a stupid damn job. I’m 10,000 miles away from my family at Christmastime. I should start doing something else. I don’t think I’m ever going to be a big star. Just a little star. This is after 31 years in the business.
I came home and didn’t do anything for a month. I told my wife I wasn’t going to do anything for a year. I was going back to college for woodworking. I’ve always loved woodworking all my life. I took a course in fine carpentry and cabinet making. I loved it. Made loads of stuff.
I built my own house. I knew how to do that because we did it at school. I worked in insurance for 18 years until I retired. I lived in that house for 25 years.

A sudden change
In 1999, Lydia died. Heart stopped. She hadn’t been sick. Doctor didn’t know there was anything wrong with her.
It was two days before Christmas. Twenty-third of December. She was laying out her pies because we were going to have both of the children with their families. She said to me, “When you have your sandwich, could you go uptown and get the Christmas turkey?” Holtzmann’s had called and told us our fresh turkey had arrived from Hayter’s.
It was 2:20 because I looked at my watch. I went uptown, got the turkey, came back home, and my wife was dead on the floor. That’s all the warning we had. The end of a happy marriage.
I couldn’t believe it. It was days before I could think it wasn’t happening. A bad dream; I couldn’t wake up.
Phoned the kids and told them. Thursday. Thursday afternoon. Couldn’t believe it. Thought I was safe. I’m going to die first, for sure, because there’s 20 years between us.
I lived eight years in the house by myself. I was lonely there. The house had everything we wanted. Took me six and a half years to build it because I was working in the insurance office. All beams in the ceiling. A huge backyard. Four thousand square feet. Five bedrooms, pool room, a bar with more booze than some of the clubs I played in. But it became too much for me.
I never thought I’d wind up like this (living in an apartment). I thought my wife and I would live in our house.

A new battle
In December, I wasn’t feeling that well. I had trouble with my throat, and I went to the doctor. They decided to run some tests.
First, they did an ultrasound. Then they found something. They did an x-ray and a CAT scan. The CAT scan nailed it down. She said, “You’ve got cancer.” In my kidney.
I thought, you can haul one out and leave the other one.
I went to the surgeon in London, Dr. Chin. He’s the top surgeon in London. I told him I’m a Jehovah’s Witness, so I don’t take blood. He said, “Just a moment. You don’t have to worry about the blood because I’m not going to operate. You’re 83 years old. Most people don’t realize how complex a kidney operation is. It’s a hell of a shock to your system. I think the shock would kill you.” Shit.

So here I sit. I’m looking at alternative medicine. Conventional medicine won’t look at that at all. It’s a hell of an attitude. They’re killing people doing that.
It’s a pain in the ass, no, the kidney. When it comes to alternative health, you can control it through what you eat. The guy I’m dealing with now is Dr. Julian Whittaker in California. He’s been using this system for 30 years and never had a failure yet. I could be number one.
I’m not cryin’. I’m a Jehovah’s Witness. I’m not afraid of dying anymore. I was apprehensive before, but I’m not afraid now. There’s no such thing as hell.
I’ve got nothing to complain about. I’m happy I lived in the time that I lived. From 1926 to 2010, that’s a hell of a long time. Look at the changes I’ve seen. I think I’m pretty lucky.

Pinnacle of a career
In 1962, I was running shows at the Red Barn in Oshawa Sunday nights in the wintertime. I was bringing in talent from Nashville and Wheeling; both had 50,000-Watt stations. I had booked Skeeter Davis, who had about five gold hits by then. She was going to be flying in Saturday evening. I couldn’t go pick her up because I was doing the radio show, so I sent my wife down to pick her up at the airport. She brought her up to the station, so she was there when I signed off. I had written and rewritten the signoff about five or six times. “Mama, put the kettle on, I’m coming home.” Thanked the people for listening. Skeeter is listening to this, and when I got finished, I looked at her and she had tears in her eyes. She said, “That’s the most beautiful close I’d ever heard. Could you do that again on a tape not going out on the air?” I did it.
She took it home to Ralph, her husband, an all-night DJ at WSM Nashville. She played it for the board of directors. They said, that’s our next DJ.
I got a telegram from WSM at the end of October asking me to come to Nashville September 2, 1962. Nashville voted me Mr. DJ USA. I’m the only Canadian that ever got that award. I did a one-hour broadcast as a DJ from Nashville. We had five or six Opry stars lined up for my show.
Later, I walked out on the stage to perform at the Grand Ole Opry. In the floor of the stage at the Grand Ole Opry, there’s a circle there about 8’ to 10’ in diameter, where it’s new wood. That’s where all the stars perform because that’s centre stage. Walking out there, when you see that circle and you know you’re going to stand there, it gives me teardrops. You feel about two inches high. Really humble. I did a song, “I’ll Pretend There Was No Yesterday”.
That was the pinnacle.

Sunday, March 21
2 to 4 p.m. – Trivitt Anglican Church, Exeter
Celebration launch of Bach Music Festival of South Huron and Bach’s 325th birthday. Concert, birthday cake and door prizes. Free to attend. RSVP to bachmusicfestival@bellnet.ca or 519-235-2565.

A teaser of what’s to come in July 2011, the Bach Music Festival of South Huron’s celebration launch will feature organist Janet Heerema and cellist Christine Newland. A year of concerts and special events for area residents and visitors from across Ontario will culminate in the first week-long international festival July 11 to 17, 2011.
The goal of the series is to attract music aficionados to South Huron as an important and accessible location for concerts, and the caliber of the music is expected to enhance the local economy. For more information, contact executive producer Louise Fagan at l.fagan@rogers.com or call 519-851-0393. Everyone is welcome to attend the celebration launch March 21 to get a taste for what is in store for next year’s festival.

It’s already been a big year for Zurich musician Lance Bedard, most recently nominated for best Pop Artist/Group of the Year in the London Music Awards. The nomination and growing radio play are early highlights of 2010 that Bedard and his band hope to build on as the year progresses. They are currently wrapping up a six-song EP album after industry advisors recommended a better quality recording.
“The last EP, Restless, got great feedback,” Bedard says. “Industry professionals told us the recording was not near up to par for prime time radio, but that the songs are good.”
Taking the feedback to heart, the band recorded four new songs and was ready to press it, but decided to add two more before releasing the EP.
This spring, Bedard plans to release the song “Sunday Afternoon” on iTunes, and the band is strategically planning to coordinate fan purchases in one day to draw industry attention to the song’s popularity.
The band’s popularity has translated into the London Music Award nomination, but he can’t win without fans voting for him. To vote, visit the contest website at http://www.londonmusicawards.com. Other local bands nominated include River Junction Band, Vintage Moments, and Brownsyn Jerome.
In the meantime, plan to attend the band’s “Post Recording Party” Friday, February 26 at the Zurich Bluewater Community Centre. Brownsyn Jerome is the opening act. Tickets are $5 in advance, or $7 at the door; the event starts at 9 p.m. Proceeds go to support a Performing Arts Society of Ontario scholarship for a student at South Huron District High School.
To learn more about Lance Bedard, visit his website at http://www.myspace.com/lanceromance01

SHDHS receives $10,000 CARAS instrument grant

Story and photos by Casey Lessard

Music students at South Huron District High School are blowing new horns after the school’s music program received a $10,000 equipment grant from the Canadian Academy of Recording Arts and Sciences (CARAS).
“You’d be surprised how much equipment costs,” says music director Isaac Moore. “We were able to refresh every section a little bit and that helps us out in terms of the longevity of the program’s equipment in general. We got three flutes, three clarinets, three trumpets, three trombones, one new baritone, one tenor sax and two alto saxes.”
Close to 70 senior band members use a school instrument, and the intermediate band adds more users, so the need for decent equipment is high.
“Having one that works well makes a huge difference,” says saxophonist Trish Pavjeke, who uses her own instrument. “Some of the older saxophones are gross. They’ve been used for 100 years. The keys stick and the necks swivel back and forth. I’ve tried the new ones and they’re really nice. They work perfectly.”
While Pavjeke’s 100 year estimate is a bit off, former music teacher Bob Robilliard says some of the equipment was due.
“When I first came here, the equipment was one year old,” Robilliard says, noting the program started in 1986. “Most of that equipment is still here and still being used. Most school line equipment has a life of 25 years. It gets a lot of use.”
CARAS issued 60 MusiCounts Band Aid grants across Canada in 2009, and South Huron is one of the only rural schools in Ontario receiving the grant. Letters of support from the community were key to getting the grant on the first attempt, Moore says, noting some schools try many times unsuccessfully.
“It came around at a nice time for us,” he says. “The instruments have been heavily used. I wasn’t sure how we would pay for new ones. Having good equipment for the kids to play is really motivating. Without this, I’d have to build a case to the board, which has been very supportive of us, but its budget is finite like ours.”
As a result of the grant, some of the school’s older equipment will be transferred to another school in the board.
The band showed off the equipment for the first time at this weekend’s school concert, but Moore suggests the audience may not see a noticeable difference in sound, but it certainly makes playing easier.
“It’s like buying a new car. It’s not like it takes you anywhere faster, but it’s a more enjoyable experience and lasts longer. Eventually things need to be replaced. Plus, the older it is, the more you have to put into repair, so that will save us a lot.”
And while the actual sound may be the same, music council president Joe Pavjeke thinks the musicians will sound better because they’ll have more confidence.
“It’s like we’re getting recognized for our work. The students notice that. It shows that what we’re doing is a big deal.”

Father Brad Dunbar has been rector of Trivitt Memorial Church in Exeter and St. John-by-the-Lake in Grand Bend for the past two years, and recently presided over Trivitt’s 150th anniversary celebrations.

As told to Casey Lessard
Photos by Casey Lessard

Trivitt has begun to recognize that we live in a post-Christian era. The days when everyone went to church Sunday mornings are gone. Families are way too busy. So what’s been happening is a looking back to the early church and trying to do the things that started Christianity: feeding people, housing people, and trying to be a voice for people who don’t have one. It’s active, not passive.
We have a three pronged approach: we look to our world, we look to our region, and we look to the town of Exeter. With our global view, Trivitt has been active in the construction of an AIDS clinic in South Africa, and that’s been a big project. In our area, we’ve been sponsoring Huron University College to support their trans-cultural projects. And in a big way, we’ve worked aggressively in being part of the town of Exeter. The money raised at our Thanksgiving celebration went to the Habitat for Humanity in Exeter. We have a weekly Alpha program that includes a free meal. There’s a free monthly meal hosted the third week of the month for the needy, and we go to the different agencies that help people who are on social assistance, and the end of the month is a tough time for those people, so Trivitt tries to feed them.

Spirituality’s important, and how it is expressed can be varied. We’re trying to bring a message of hope and good news to Exeter, but being creative about it. We’d like to make our physical space available for the town when it’s needed. We want to be a civic church and a centre for the community.
I’m involved in Fresh Expressions (www.freshexpressions.ca), and the idea is to find new ways to meet people half way. The folks who are in their 20s and 30s don’t necessarily have a church memory, but they have a strong spirituality. If you go to Chapters, the best sellers on the shelf will all be books on spirituality. So it’s important for people. What we’re trying to realize and live out is the traditional method isn’t going to work in the reality we live in. We’re looking toward the church of 2050 as opposed to the church of 1950, and I think that’s going to look quite different.
The building will still exist – it’s architecturally significant. The church will look different. The interior will not look like it does today. Just like banks and schools have changed in the last 100 years, so will the church change to meet the needs of the community using it. What the people in their teens and 20s are going to look for is different than what it looked like in 1950. You can’t avoid technology, and I think it will be a big part of how the church looks. Kids today are the generation of the screen. They work and learn and play using the screen. It will be a significant change for the Anglican church. New churches look more like gymnasia than churches, and it’s intentional. People are more comfortable walking into a gymnasium than they are walking into a church. Our building will show the history of the church, but will change to meet the needs of the emerging generation of churchgoers.

For a lot of people, walking into a church building – and we look like a traditional church – can be a very intimidating thing. It can be a barrier for people, so when we hold concerts and shows and other events, and people are able to come in and enjoy, they get a little more comfortable with coming into our worship space. If they don’t go to church, it’s a gentle way to say, Hey, we’re here. If they have something in their lives that makes them need to speak to a pastor, we want to be an option they consider. We also see it as a benefit to the community; we have the physical space to put on big productions and we would like to bring them to South Huron, and we don’t think you have to drive to London for that.
We’re looking at a couple of very contemporary services that we’re hoping to start in Exeter at a different time than Sunday morning. Often, that’s the only time of the week you can relax, sleep in and have bacon and eggs or whatever. We’re going to offer church in a worship sense at different times of the week. We’re also looking at programs that feed someone’s spirit but don’t seem like traditional worship.

The parish spent some time doing some soul searching, and we discovered that music was very important to us and to Exeter. In bringing music director Janet Heerema in, we’ve brought a music professional in full-time and she has made a dramatic impact right from the start. She does an adult choir, children’s choir and a hand-bell choir, which are community based, and the Trivitt choir. The community choirs have people from various churches in the area, and some who don’t go to church. As a church, it’s a gift to the community: we pay her salary and she spends a great deal of her time working on music for the community.
We have an aggressive arts agenda over the next 10 months. We created an arts and culture community and started brainstorming what people might enjoy in the area. The Three Cantors came up on the list, and they work out well for us because they donate from the proceeds of the show to the Huron Hunger Fund, which is affiliated with the Primate’s World Relief and Development Fund. It becomes a charitable event, and they’re a big draw, so it will sell out.

Future concerts include a children’s choir concert Dec. 6, and a Christian rock concert in March. The Three Cantors (www.3cantors.com) perform Wed., Nov. 18 at 7:30 p.m. Tickets are $20 available online (www.trivitt.ca).

Inspired by Brian Dale’s Miss Grand Bend, a group of radio listeners is fighting to win CBC’s Great Canadian SongQuest

Story and file photos by Casey Lessard

Only days remain to vote for Grand Bend (or its competitors) in CBC Radio 2’s Great Canadian Songquest, a contest to choose one town from each province to be immortalized in song. Grand Bend made it into the top five for Ontario thanks to some aggressive voting by enthusiastic radio listeners, including Brantford resident and Klondyke Park trailer owner Frank Beattie, University of Western Ontario sociology student Heidi Klopp and others.
“It’s about getting Grand Bend noticed and recognized,” says Klopp, 20, a Zurich veteran who now considers Grand Bend home. “It’s an awesome small town with as much to offer as the big towns.”
Beattie and Klopp thought the contest would be a good way to promote their favourite iconic song about the village, Brian Dale’s “Miss Grand Bend”, which is now available on Dale’s peace/love/waves/song CD that came out this summer. Plans to promote Dale’s music changed somewhat after nominations began and the nominators realized the contest wasn’t to recognize songs that already existed (vis-a-vis “Miss Grand Bend”), but rather to find 13 places across Canada that would be written about by an artist from each province. For Ontario, the artists are Jully Black (R&B/soul), Hawksley Workman (alternative), Shad K (rap), Lynn Miles (folk/roots), and Justin Rutledge (alt-country).
“It’s too bad they’re not using local artists like Brian, Greg Gallello, Natalie Tobin,” Klopp says, “but it’s still a good thing for our town.”
It’s a misunderstanding shared by early Grand Bend bid supporter Frank Beattie, 56, who heard about the contest from a friend.
“All I could think about was Brian’s new album, released after all these years, and thought maybe this is a place to suggest ‘Miss Grand Bend’ as a candidate for the contest,” Beattie says. “They had a few blogging tools that allowed you to create a blog to promote your place. Every time you logged in, you could nominate your town, so on the first day while updating the blog, I voted enough to get us off to a pretty good start.”
A good start is an understatement. At times, Grand Bend was in the lead, and finished in the top five, good enough to be a finalist. After a week of voting, says CBC Radio director of music Mark Steinmetz, Grand Bend was fourth after Algonquin Park, Sleeping Giant (Thunder Bay) and Toronto; Picton was fifth. It’s a proud accomplishment for Beattie, who nine years ago had no idea where Grand Bend was.
“After finishing a big project at work, my boss said we needed to get away,” he says. “There were eight of us involved in that project, and our entire company was dependent on our group, so he decided to leave them on their own while we went away during the middle of the week. We rolled in on Wednesday night. I remember calling my wife and saying, ‘This is unbelievable. It’s an hour and a half away from home (Brantford) and it’s got everything we want.’”
Two weeks later, he brought his wife for a stay at the Oakwood.
“We sat in the dining room for a late dinner and the sunset coming down Oakwood Drive hooked us.” Later that summer, they bought a used trailer at the Klondyke Trailer Park. “Best investment we’ve made,” he says.
His passion for the village is apparent, and his love for local music – among the reasons he and his wife decided to stay – makes him want to promote it across Canada.
“Brian has been adamant since this started that we promote the town, not him. To me, Grand Bend is a secret and a gem. It’s priceless and not well-known. Do we want to lose our paradise? The answer is no, but I’ve been promoting Grand Bend for eight years and the only person to ever take me up on my offer, my neighbour at work, is now my neighbour at the park. He and his partner just love it.”
“It’s a town for everybody and every age group,” Klopp says. “No matter how old or young, there’s something for you.”
For Klopp, the people are the main attraction, then the location. And of course, there’s the music.
“We’re a very musical town, and everyone feels the music. Even if you can’t get up and dance (at a Gables jam night, for example), you can bop to the music.”
For Beattie, the location is the inspiration.
“The beach, the lake, sunsets, the strip, the atmosphere. It’s like Gravenhurst, but it’s 40 minutes from London and an hour from Stratford.”
That’s why CBC Songquest is a good fit, Klopp says.
“I thought it was exactly what Grand Bend needs with the new downtown and beach renovations. What’s the point of spending those millions of dollars if no one comes? Tourism has definitely been down these past few years. It’s great that the locals get to enjoy it, but we want to share it with everyone else as well.”
Just the type of message CBC hopes will come out of the contest, in addition to raising awareness of a recent format change at Radio 2.
“We wanted something to engage Canadians, the artistic community, and our people here to come up with 13 new songs commissioned by the CBC that represented towns across the country,” Mark Steinmetz says. “Rather than us dictating how it was going to go and who we would commission, we thought it would be great to open it up to Canadians.”
While expecting major urban centres to make the top five for each province, he notes that smaller centres are leading the pack. “It’s a tight race right now for what people are voting for,” he says. “It’s a way to discover new artists in this country. We play a diverse range of music, and there are so many great artists out there that don’t get played on private stations.”
Plus it’s a good way to create new music about Canada.
“I don’t know if you know this, but Gordon Lightfoot’s ‘Canadian Railroad Trilogy’ was actually a CBC commission (for the centennial year, 1967),” Steinmetz notes. “We’ve commissioned many types of music. That came from internally. Now Canadians get to help us decide who we’re going to commission. And who knows, one of these songs could become a song that gets embedded in the nation’s consciousness.”
Local listeners hope Grand Bend inspires that song. The final days of the contest will be tough, but Beattie remains as optimistic as he can.
“I think it’s going to take a miracle now to win. Toronto has a few million people, while we have a few thousand. Brian Dale says it right: to be successful in the music business, you need luck and connections, and for us to win this contest, it’s going to take a lot of both.”
“Vote as much as you can,” says Heidi Klopp. “You can vote once a day. Tell everyone you can. Listen to CBC radio, and spread the word.”
To vote, visit: http://www.cbc.ca/radio2/songquest/

The Band In You is building a following for bands that might hit their peak 10 or 20 years from now

Photos and story by Casey Lessard

Sitting outside a basement studio in the Dalton Subdivision south of Grand Bend, four teenagers wait their turn in Ken Dinel’s domain: his professional music recording studio. Surprised by the success of his project, The Band In You music school, Dinel has had to abandon basement space to expand the studio and the lounge, which is still in the renovation stage.
“I thought I might get five students and teach a little music,” Dinel says. “I didn’t expect a big turnout, but it just took off. And it took off fast. I didn’t do any advertising other than in the Strip, and the word of mouth spread. Kids started telling their friends they were in a band. My five-year-old group members are six now, and they went to Florida for a month; they drove their mom nuts telling everyone they’re in a band.”
Their passion for being part of something bigger than themselves has led to performances by The Band In You students at various community events this summer, including at the Canada Day celebrations and the Relay for Life.
“It’s different from what I’m used to, but a good different,” says 14-year-old Blake Percy of Grand Bend, a guitarist in the band Sweet ‘N’ Toxik. He joined the school after his mom saw the ad in this paper.
“I’m learning a lot of new things. Before I would learn how to play the guitar and go home and practice for hours and hours. Here, you’re learning how to play with other people in a band. The timing is a whole different thing. It’s like comparing an individual sport like tennis to a team sport like soccer.”
The band members range in age from three to 18, and there are seven bands in total. Band members come up with the names, such as Famous, Victim, and Rocket Stars. Everyone is involved in songwriting, which is the main thrust of the school.
“They come in and sit down, and we start writing,” Dinel says. “We’ll rewrite together until the song’s somewhat complete, and then it’s introduced to the band. If the bands are less capable of writing, we each take a turn writing a line and then it’s edited that way. The Rocking Kids are five years old, and they all wrote me a bunch of lyrics about being rock stars and I put it together for them. With Sweet ‘N’ Toxik, Kyla came in with a semi-finished song (“Building My Time Machine”), and we tore it down and rewrote it with new elements. Then we sat down and worked on the music for it. It all came together very quickly.
“From there, we go into the studio and lay down a bed track where the band performs the song together to a click track. Then we just start replacing parts one at a time. We redo it until it’s radio-worthy.”
That level of professionalism and solidarity is what attracts Dinel’s students.
“I thought I was the next Taylor Swift,” says Sweet ‘N’ Toxik singer Megan O’Brien, 15 of Zurich. “But then I got into the band and this is so much cooler because you get to share the hard work and pride with other people. I really want to hit it big with the band. I love sharing our music with people. When I’m listening to the radio, I’ll hear a song that makes me say, ‘I’m so glad they wrote that.’ I want to share that with people.”
Sharing the music is part of the appeal for Kyla Hunt-Beach of Grand Bend, also a singer with the band.
“I like being able to perform and entertain,” says the 17-year-old. “I like being able to work in a team as a band. It’s been really amazing.
“The highlight is playing at concerts,” Kyla says. “The first one at the Grand Bend Public School Family Fun Day was amazing. I loved how there was a big crowd and how enthusiastic they were. I loved how they came up afterward and complimented us.”
Blake Percy agrees.
“It’s great seeing people come out to watch you play because I’m not used to that. Our band is good, so we get good applause and that’s a rush.”
Dinel estimates the school’s show has about 200 loyal fans, so he’s looking forward to taking the bands on tour locally. Coming off well-received shows this summer, Dinel has started picking up paying gigs for his students.
“The original goal of the school was to teach them how to write songs and record them,” he says. “Now that the school’s full, we’re going to develop a show. They’ll write and perform originals and covers, and each band will have its own set.
“We’ve been promised radio. Next year, I want to take these kids on tour locally. Then it’s TV. They’re very young, but there’s an It factor. We’ve performed with some bigger bands, and the bigger audience seems to be when the kids are on. We don’t see kids play, so it’s a rarity. And it’s coming out of Grand Bend.”
That said, the performers are still kids, so they’re not polished professionals, although there are a few prodigies. For Dinel, career longevity is the key, and that comes from accountability and desire, even if their age sometimes shows in the lyrics and sound.
“There’s a lot of editing at this stage,” Dinel admits. “But they get better each time they do the process. They’ve been here six months, so imagine them in two years. Grand Bend’s going to have some serious music out of this. Victim is a very committed band; my daughter’s in that one. They’re the real deal, and in two years they’ll only be 10!
“Most garage bands typically envision these ideas (touring, recording, etc.), but don’t go any further because they don’t have anyone to help them get there. I always push them to look forward. It’s more of a preparation mentality than a practice mentality.”
“I had lessons before,” adds Megan O’Brien, “and you go home and play, but it’s not fun. With a band, people are depending on you. We’re looking at the bigger picture.”
Mom Yvonne O’Brien is impressed.
“On several occasions, our daughters have been jamming and performing with other friends who have a lot more formal or traditional training. Their experience with The Band In You’s format was very apparent, and helped produce a more confident performance.”
Shannon O’Brien, 13, plays drums and is learning the bass. She agrees that the experience has helped boost her confidence in performance.
“Before, friends would come over and I’d be totally lost,” she says. “Now I can play with bands and it’s a lot better.”
“Ken is phenomenal,” Kyla Hunt-Beach says. “He’s really good to work with and easy to get along with. He gets you on track when you need to. It’s really fun and you don’t even realize when you’re practicing because you’re having so much fun. You get lost in the music because it’s so much fun.”
Dinel believes his process helps students relax, creating a desire to come back for more.
“When Kyla came in, she was conservative, safe and tense. Now, you see her in there and she’s a whole different person.
“I’m trying to put together bands that really get along well. There’s no inner dating. They’re respectful to each other. For the sake of longevity, they have to share the limelight, be respectful and encouraging to each other.”
That was a challenge at first for Kyla and Megan, who share the stage as singers in Sweet ‘N’ Toxik.
“At first, when we didn’t know each other, we kind of competed,” Megan says. “Not too bad, but we’d almost scream trying to get over each other. Finally we said, we want to sound good, and we sound good together. We’re both equally in this, so let’s just do it. Now we hang out all the time. We’re good friends. It wasn’t like that before, but now it is.”
Together they are stronger, they say, and they’re in it for the long haul.
“I want our band to get big and become well known, ” Kyla says. “ To be able to travel and tour. I just hope it grows. It’s going to be hard, but that’s how you get big.”
Thirteen-year-old Shannon’s prepared for the ride.
“I’d like to see people know our band. That would be the coolest thing.”
For Dinel, the end result is up to his students.
“It’s a self-defined experience,” he says. “We have a great time, but I do have expectations. If they don’t come in prepared, it’s not cool. As a band, they all feel part of something greater than their everyday life.”

The school’s roster is full, but has a waiting list that could be drawn upon in the fall. To join the waiting list and be part of the process, contact Ken Dinel at thebandinyou (at) hay.net

Late night television fans have the opportunity to see Jimmy Fallon’s Late Night house band, The Roots, when they perform at the Cutting Edge Music Festival August 2 at the Motorplex. Named by Rolling Stone Magazine as one of the “twenty greatest live acts in the world,” The Roots are releasing a new album this summer. The eight-piece Philadelphia hip-hop band has performed with such greats as Paul Simon, Public Enemy, Beastie Boys, and Mos Def.

It may sound like an odd place for a metal concert, but the Grand Bend Legion will host four metal bands, including Toronto’s To Cherish, Battlesoul from London, Grizzly from Wingham and a band yet to be announced. Also on the roster are indie rockers Blaze ‘n’ Murder of Wingham and punk group Streetcore of Clinton/Bayfield. The show is July 25 at the Grand Bend Legion.

Grand Bend Canada Day 2009 festivities
Wednesday, July 1 – Main Beach
4:30 p.m. – Ken Dinel’s The Band In You students present rock music
5 p.m. – Ruth’s Hat, Lance Bedard, Brian Dale, Vintage Moments
10 p.m. - fireworks

Zurich native Lance Bedard is on a roll after launching his debut solo CD, Restless, this spring; he’s already working on the second.
“I just went back in the studio last week,” Bedard says, “and I’m waiting on a reply for another (recording) grant so I can release a CD in the next year and a half.”
Bedard’s debut was recorded in Goderich at Dig Productions, where Rob McKercher blended Bedard’s sound with guests Nick Haberer, Marcel Gelinas and Mike Klaassen.
“You write a song, but you hear everything else,” he says, describing the value of collaborating with other artists. “You hear it in your head, but you can’t do it all at once. So when you finally get a chance to build a song from a small four chord progression to a full band production, that gets you fired up to make more music.”
Success at local gigs gave him the push he needed to record the songs he started writing more than five years ago. Early experiences with the Pillowheads and Point of Impact gave him his first exposure to putting together a studio album, but this time, he took the process much more seriously.
“To put this out on my own was something I always wanted to do and to get it out to everyone was the greatest feeling in the world. It’s probably my biggest accomplishment since I entered the music industry. To get everyone’s positive feedback made it all the better.”
Now the push is on to sell, sell, sell. He recently hired a manager to promote his work.
“This guy could take me to the next level. If I hadn’t made the CD, I wouldn’t have this opportunity.”
So it’s back in the studio for round two.
“Hearing the way the music is played and changing is an addicting process. You go there every day and you’re excited about making music. Just hearing yourself and some of the things you can do, it’s like raising a child.”
To hear samples from Lance Bedard’s Restless, visit http://www.myspace.com/lanceromance01

Grand Bend Canada Day 2009 festivities
Wednesday, July 1 – Main Beach
4:30 p.m. – Ken Dinel’s The Band In You students present rock music
5 p.m. – Ruth’s Hat, Lance Bedard, Brian Dale, Vintage Moments
10 p.m. - fireworks

Long-time Grand Bend performer Brian Dale has finally gotten around to putting together a CD for his fans, and he can’t wait to get it in their hands. There’s a catch, though; a manufacturing delay means it will be two weeks after the July 1 launch party (as part of Grand Bend’s Canada Day celebrations) before he can deliver the product.
“I could have done it a long time ago and pushed it and rushed it,” Dale says. “I didn’t want to force it.”
After all, after 15 years performing, you can wait two extra weeks for your first CD, right?
“I’ve been putting it off for close to 10 years,” Dale says. “It always seemed like whenever I got the time and money to do it, I would go on vacation and spend all of my time and money.
“I came home for Christmas from Costa Rica and was planning on going back. I went up to this little studio in Goderich that Lance Bedard was recording at, and he introduced me to the engineer. I finally decided I needed to get this done. ”
Although he won’t have the CD, tentatively titled peace/love/waves/song as a tribute to his email signoff, ready by the Canada Day event, he will be distributing free preview copies of a single from the album at the event. The CD will have 11 tracks, all originals written over the last 15 years. Some are old favourites for fans, while others are new songs to most.
“The songs were always written and performed acoustically. I always had a picture in my head of what the songs would sound like and I had never put it together with a group. Once I started recording, the songs matured, even more than we were expecting.”
“It’s been a long time coming, but we’re really, really happy with the way it’s turned out.”
Just what fans want to hear.
Brian Dale’s CD peace/love/waves/song will be available for $15 at Archies and local bars where he performs, and through online retailers. To learn more, visit his facebook fan page.

South Huron District High School’s music department spent four days from May 13-16 in Chicago as part of an experimental type of band trip. The Strip’s Casey Lessard tagged along.

Story and photos by Casey Lessard

“Two years ago in Cleveland, I met Benjamin Washington by happenstance,” says South Huron music teacher and band director Isaac Moore, speaking of Chicago King College Prep High School’s band director. “He needed a bass amp and I needed a trumpet, so we ended up talking and exchanging instruments for an hour or so. Because of that, we ended up talking about where each of us was from and how neat it would be if we tried to do something together. ”
Each year, South Huron’s music department takes a trip, but most of the recent trips have been for competitions.
“We could have done that again this year. But I wanted to give the kids a varied experience; we had never gone to Chicago, and a lot of kids were interested in going there.”
Sixty-six members of the band joined the trip, along with eight chaperones. The visit to America’s third largest city included sightseeing, a trip to the famed Chicago Symphony Orchestra and the Sears Tower, and lots of music. The band performed all day its second day, starting with a master class at a college for music teachers, followed by a jazz combo performance at Buddy Guy’s Legends bar. Then it was off to King College Prep for an afternoon and evening collaboration, which started with watching the one of the city’s best marching bands practise.
“Our marching band is everywhere, winning competitions,” says Benjamin Washington. “We’re like the Soul Train of Chicago. Just last year, we opened for the Stone Temple Pilots concert, Wynton Marsalis dropped by and played with us here. [U.S. President Obama’s house] is about three or four blocks from here. Marching around in the summer time, we would pass by it. I didn’t even know he lived there until the presidential election.”
Whether Obama ever noticed King’s marching band or not, percussionist Joe Pavkeje of Exeter found it valuable to see how King’s musicians perform, bobbing their heads while playing.
“It showed we could be doing a lot of things we’re not doing. Not that we’re not doing enough, but they have a different style that I thought was interesting. They really got into their music, which helps them with their stage presence. It makes them sound better. If they’re more into it, it makes it more enjoyable for everybody.”
While Pavkeje noticed the contrasts, Moore hopes he also noticed the similarities.
“We often think these major cities are better than what we’re doing here. Rural schools are have not and city schools are have. It shows the kids how special this school is and gives them perspective on how great they’re doing and how wonderful the music they’re doing is.”
Kristy Pavkeje is thankful for the experience, and knows who should get the credit.
“It’s a really high quality program. If you look around (elsewhere in our region), we seem to be more dedicated or something. A lot of that is due to Mr. Moore. He knows how to get the most out of this program for us. With the SHSM (Specialist High Skills Major) program (in Arts & Culture), it looks good when you go to university or college, and he worked hard to get it at the school.”
For Moore’s part, he notes he couldn’t pull it off without the overwhelming support of the community.
“The community is so, so important to what we’re doing here. They support our concerts to show our kids that what they’re doing is important. The fact that we have this extremely supportive community and excellent tradition of music at this school, it’s a machine that doesn’t seem to stop. Every day I come here, I don’t know who I’m thanking, but I’m thanking someone.”
Moore is eager to show the music program’s supporters what King College Prep is doing, and hopes Washington is able to bring his students to Exeter next year.
“Having the opportunity to see their marching band and the enthusiasm they have for music, it was infectious. Our kids loved watching their band perform, and this community would love seeing it, too. It’s really fun to watch.”
Washington is on board, too, and hopes it can happen.
“It gives the kids the opportunity to see children from other areas and see we’re doing the same thing,” he says. “I’m sure Mr. Moore is saying the same things: you’ve got to practise, you’ve got to listen, you’ve got to watch the rhythms. It gives the children a chance to see that what I’m trying to provide for them is what others are trying to do as well.”
Looking back on the trip, Moore hopes his students got enough time to interact with their Chicago counterparts.
“The students said the best part of the trip was socializing with students from the other school, and you can’t plan that. It would have been nice to have more time for that. It’s through that social bond that they see that we’re doing the same things here.”

View from the Strip
By Casey Lessard

If you haven’t seen the amazing internet sensation, Susan Boyle, get yourself to YouTube right now and search for her performance on Britain’s Got Talent. Go ahead. I’ll still be here when you get back.
Anjhela and I were among the very first people outside of Britain to see the video (Anjhela remembers there were only 30 views when we watched it last Saturday night, and as the Strip goes to press, there are now a million times that amount). The Scottish woman’s performance of “I Dreamed A Dream” from Les Miserables is stunning, even after listening to it 100 times (seriously). It’s no surprise that Ms. Boyle, a single 47-year old woman from southern Scotland, is a global phenomenon.
What should be surprising, but depressingly is not, is how much attention has been paid to her appearance and the fact that she said she has “never been kissed”, which was a self-deprecating comment taken seriously by every media outlet. One went so far as to interview Drew Barrymore, the star of the film, Never Been Kissed, who Boyle should kiss first, like either woman cares about the answer.
Susan Boyle was judged by her looks – called frumpy, dowdy, ugly, plain, simple, and all variety of negative terms by other media – from the moment she took the stage with her freshly curled hair and a gown she bought for her nephew’s wedding. But to her, this is how she wanted to appear in front of the judges, her nation, and now the world. She may not qualify as the top choice for next year’s Sports Illustrated swimsuit edition, but neither would 99.99999 per cent of us. Seriously, who are we to judge her looks?
Besides, does that matter? She didn’t go on Britain’s Got Talent to be a model; she went there to sing, and her talent has sent shockwaves through the world wide web. She is an amazing singer, and she has a joyful sense of humour. She is debunking perceptions of how celebrities and regular people should appear in public (she’s disarmingly normal in interviews), and turning the global (especially North American) standard of beauty on its head. She’s not actually that unattractive (physically or especially intrinsically), and would be as welcome at a dinner party as any celebrity I’ve ever met.
More disturbingly is the answer to the following question: would Boyle’s appearance be so heavily criticized had she been a man? Perhaps one wearing a suit from a supermarket with worse teeth? If you look back, the winner of the inaugural Britain’s Got Talent, Paul Potts, fared much better when he meekly presented himself in front of the judges. The fact that he was respected before and after he opened his mouth (although his teeth were heavily debated and eventually fixed) reflects our bias against women who aren’t visually perfect compared to men who present themselves similarly.
The judges and audience never expected an average looking single woman in her late-40s to have any talent or value. It’s shameful, and not only do we need to realize that we shouldn’t judge a book by its cover (as has been said far too many times this week), but we should also consider that the cover is fine just the way it is.
Love you, Susan.

World Religion Day
Sunday, January 18
2 to 4 p.m. – Grand Bend Legion (Kevin Locke will also perform at the Huron Woods clubhouse Sunday night at 7 p.m.)
Featuring Lakota hoop dancer Kevin Locke and the London Unity Choir. Clergy of local churches will offer readings and prayers for world peace. Refreshments served. Everyone welcome.

Gord and Josy Britton wouldn’t miss World Religion Day for anything. Currently in Ethiopia singing with Van Gilmer’s Bahá’í House of Worship Gospel Choir, the Brittons will return home just in time to celebrate the event’s fifth year in Grand Bend.
“Every year we’ve had participation from the Grand Bend United Church, the Anglican church, the Catholic church, the Presbyterian church in St. Joseph, and the United church in Dashwood,” says Josy. “We’ve had representatives of the Muslim and Jewish communities. To cover other religions, we’ve had to invite people from outside the area. The last two years we’ve had the princess from Kettle Point come and do a native prayer.”
This year, organizers are especially proud to have American Lakota hoop dancer Kevin Locke as the guest of honour.
“He’s an amazing individual,” Gord says. “He has such skill. His hoop dancing is unbelievable. What adds to its beauty is its symbolism.”
“His hoops are in four colours: black, white, red and yellow,” Josy adds. “They represent the four races, four directions, four winds. He uses 28 hoops to show all sorts of symbols of renewal. He makes them into birds, butterflies, eagles, sun, moon, and stars. He shows changing seasons through the dance. He shows that everyone is each other’s brother and there can be unity.”
Promoting unity is the main goal of the event, an initiative of the Bahá’í faith. The Brittons are members of this faith, and one of its principles is to build a peaceful world through the unity of mankind.
“We have to start understanding and celebrating our diversity,” Gord says, “and World Religion Day promotes that unity in diversity. All these faiths and non-faith groups come together to celebrate in unity.
“All of these religions share a golden rule, stated in different ways. Live together, respect each other and treat your neighbour as yourself. You don’t bomb your brother if you believe the world is one country and we are one human race.”
The Brittons faced concern when they converted to the Bahá’í faith, but have found the community more welcoming as time has passed.
“Some of our friends were worried that it was a cult or something,” Josy says. “There isn’t any fear anymore. People are surprised at how few Bahá’ís there are here because we’re quite an active group.”
“We often focus on the divisions,” Gord notes, “but all the world religions come from the same source, and that’s God. God wouldn’t create competing religions. If they look closely enough, they’ll find a great deal of commonality in the spiritual teachings, but where the differences lie are in the social teachings. Social conditions change. We shouldn’t be judging religions on the social differences.”
Ultimately, the Brittons believe we are all the same and looking for the same things in life. The key is to work to understand other cultures and religions, and events like World Religion Day help achieve that goal.
“Understanding isn’t tolerance. It’s celebrating the fact that there’s something that connects us all. We’ve traveled to Israel, India, Africa, and elsewhere, and families are families. People wake up and care about their children and want to get on with their lives in a peaceful way. It’s not going to happen by accident, but by deliberate planning.”
The event is free, and people of all beliefs are welcome to attend.

You can now check out the video for Faith by Joseph Arthur and the Lonely Astronauts, filmed in Ipperwash, on YouTube:
Faith on YouTube

For more details about the video’s filming, see our story:
You’ve Gotta Have Faith

Music is a big boost for a child’s learning and self-confidence, and that’s why Ken Dinel hopes his new Grand Bend music school, The Band in You, will take off locally. Confident it will based on similar schools he has seen as a recording industry professional, Dinel is putting the finishing touches on a home studio that will house six students at a time in a real band situation.
“Each student has their own instrument and practices independently, and then they just jam,” Dinel says. “That’s how I got hooked on music, and that’s the biggest thing. You have to get children hooked on the instrument because it’s hard work at first.”
Students will learn with others their age, and will record an age-appropriate song with their peers.
“Seven to nine year olds may want to do Hannah Montana, and the older kids may want to do Nickelback. As long as the song is something they can handle and the parents consent to the song, that’s the song they’ll do.
“Really it’s about having fun. We’ll start simple at first with three chords, but they’ll know they’re playing that song.”
Classes are $20/hour, and will run for two to three months starting the week of September 30. To register, call Ken Dinel at 519-851-7013 or email thebandinyou (at) hay.net.

Story and Photos by Casey Lessard

It was a leap of faith, but a former Hollywood actor, a New York musician and a London (Ontario) camerawoman converged on an Ipperwash trailer park this summer in hopes of creating a music video that will also showcase the park to the nation and the world. Stephen Shellenberger, whose art is regularly shown at group shows at Bliss Studio in Port Franks, left Hollywood several years ago and directs the video for “Faith” by Joseph Arthur, a folk-rock musician based in Brooklyn. They teamed up with a friend of Shellenberger who owns London’s video production studio CIVA Communications, and who provided the team with Sylvana Liebregts, who shot and edited the video. It should hit MuchMusic this month if accepted by the music network, and there’s word it will air in the United States and France.
“I’ve done some music videos in the past,” Liebregts said, “so I was thrilled when I was asked to do it. I’m crazy about music, so to be able to do this and combine my passion for filmmaking with music is incredible. Joseph’s a really nice guy and talented so it was an easy job to take.”
Arthur has enjoyed moderate success in the U.S., with one of his songs featured on an EP as a tribute to the victims of Hurricane Katrina. The song was recorded and remixed six times on the EP by such artists as Peter Gabriel (who signed Arthur to his Real World label), Chris Martin of Coldplay, Justin Timberlake, and by Arthur himself in a duet with Michael Stipe of REM.
“I kept telling Stephen about Joseph,” said Arthur’s manager Peter Wark, whose office is down the street from Shellenberger’s Montreal home, “and he came out to see him play solo at the Montreal Jazz Festival. We gave him the record and Joseph said we should do a video. Stephen started calling me and he brought a lot of energy to the process. He had the idea from day one to do it at this trailer park.”
“It’s amazing,” Arthur, born 36 years ago in Akron, Ohio, said of the area. “It’s a beautiful lake and I like this trailer park because I like the characters and the people here. It was Stephen’s idea to come here. It’s a song about faith, and I just trusted his instinct and I feel like it’s something interesting we’re making here.”
Shellenberger lives part-time at the Huron Shores Trailer Park. He recruited some locals, including his neighbours and Miss Kettle Point, to perform in the video, which was filmed over several days at the park and at Ipperwash beach.
“I’ve never shot a rock video before,” Shellenberger said, “and I love Joseph’s song and I though if we’re going to do it, let’s do it at my trailer park.”
Shellenberger turned to art while acting in Hollywood, with roles in 30 films including A River Runs Through It with Brad Pitt, directed by Robert Redford.
“I was always painting along the way,” he said, “and then I went through a rocky breakup and my kids were taken to France and I started painting more and more. If you’re an artist, you will do whatever is necessary to create. Arthur hyper-focuses and puts out three albums a year. It’s a compulsion to do it.”
Arthur’s album Temporary People will be his first full-length album for 2008, following four EP-length albums released in March, April, June and July.
“When you’re really productive, you flood the market with your psyche,” Arthur said. “The Internet is a digital manifestation of humanity’s subconscious and it’s limitless. You can do as much or as little as you want. You could put out a record every five years or blog like crazy every day.”
Arthur is a busy man, not only touring and producing music, but also running a New York art gallery, which is shutting down this month because of problems with the landlord (according to stereogum.com). He sets off for a tour of France and North America October 6.
“Joseph does well, but he’s still struggling to get to the next place. I think everyone is,” his manager Wark said. “Success for artists is getting to the point where you can do your art and you don’t have to work a day job. Then you aim for the sky and hope you play for thousands and thousands of fans every night.”
Canadian fans should get at least one glimpse of Arthur when his video hits the air on MuchMusic; he recorded an interview that is expected to air when the video makes its Canadian debut. The album hits stores September 30.
“Our aim is to do something more with this and see if we can expand on the idea of what a music video can be and is,” Arthur said. “Through all these avenues of distribution, we’re no longer limited as artists to formulate our products into a fixed idea of what is commercially viable.”
“Having the video air on national television is probably the coolest thing to happen in my career to date,” camerawoman and editor Sylvana Liebregts said, “and it motivates me to make it really cool and really good.
“The theme of the video is faith, and it’s a spiritual, personal song to him. I like a handheld feel; it’s more intimate and you can get into the action. A steady, tripod look is nice, but it’s sort of dry and more standard; there’s not much too it. In post-production we’re going to give it quite a distinct look. I want to make it look really cool, so I’ll spend a lot of time on it.”
For first-time music video director Shellenberger, who has directed some shorts, it’s a brand new experience.
“I’m flying by the seat of my pants,” he said. “I don’t watch a lot of videos, but I know what I would like to see. You have to trust yourself and believe it’s all going to be perfect. I’ve worked on films where you have so many cooks that the flavour is cooked out of it. You have too many people overseeing everything. The beauty of this is I do what I feel and that’s how it’s happened.”

At least one Grand Bend resident is hoping for a hit of iconic proportions. Pedro Quintana, inspired by a student who did the same thing, wrote and entered an anthem into the CBC’s Hockey Night in Canada theme contest.
“I wanted to write a cantata for church for Thanksgiving,” Quintana says, “so I thought why not write something for the caontest.
“I was inspired by what happens in the rink when there’s a goal and we feel proud when the hockey team is winning. It had to be an anthem, so fulfilling and uplifting. I thought to do it in a format with trumpets, trombones, cello and bass guitar, so something that will sound good in the rink if they have to play it live.”
Quintanta’s theme, Proudly Canadian, brings a smile to the face of the man who migrated to Canada in 2001. Perhaps he’s imagining what it would be like to be the man who wrote the theme to replace a Canadian icon, Dolores Claman’s Hockey Theme.
“It’s a simple theme with a format of A-B-A coda,” Quintana says, explaining his entry. “They can all be used separately, and it would likely be used as smaller parts. It’s how I would respond to a goal, when people are excited at the rink. The first part has some stress and release, and the second part is more patriotic and uplifting, and the last part is a run-out, a big crescendo, like Yeah, we did it.”
Currently, Quintana is competing with about 10,000 entries to make it to the public voting round.
“I’ve listened to many entries; some are good and some are not. It’s luck based on what people will like. We all hope it means something to people.”
Voting for the theme starts October 4. He’d like you to listen to it, and to vote for it if you think it’s worthwhile.
To do so, visit anthemchallenge.cbc.ca and search for Pedro Quintana.

By Casey Lessard

One of this year’s Canadian Idol’s top eight finalists has a close connection to Grand Bend, and his relatives who live here hope you’ll send your votes his way. Mookie Morris has spent many summers in Grand Bend, and he was recently in town for his cousin’s wedding, where he jammed with his relatives.
Mookie has been performing well and CTV’s message boards peg him among the top three finalists.
Most critically, to make it to the top three, he needs votes, so if he’s still standing this week, consider making Mookie your Idol by watching CTV Monday nights at 9 p.m. and Tuesdays at 8 p.m. for the results from each week.
The family will be watching Mookie perform every week at Gables, so if you want to jump on the bandwagon, that’s the place to be each week.

For more information, visit CTV’s Idol website.

Local musician and music teacher Pedro Quintana was raised in Cuba and moved to Grand Bend after meeting his wife, Marcy Walker, at the resort where he played piano.
“I came down the elevator and heard this fantastic music in the lobby of the hotel,” Walker says, recalling their first meeting. “My friend and I sat and listened to his music for a while. I went over and asked if he would like a glass of champagne. I thought, he’s not only talented, but he’s pleasant and has manners; he’s not bad to look at either.”
The two met on December 25, were engaged on December 31, and married the next April. They’ve lived in Grand Bend since then, and have faced their share of challenges together.
“I was diagnosed with breast cancer in 2005, and had treatment for two years,” Walker says. “Pedro was just phenomenal through that. I don’t know what I would have done without him.”
Pedro is now able to do music full-time, teaching and performing locally, including Thursday nights at Hessenland for its Mongolian Grill.

As told to Casey Lessard

I was born in Santa Clara, Cuba. It’s in the centre of the island. We weren’t poor poor; my father was an electrician so he made good money, and my mother was at home. There’s no comparison between what you can afford in Cuba compared to Canada. I don’t remember things being so great that we could buy toys and things. We owned a 1956 Chevrolet, and we used to go once a year to the beach.
We were very much into music; I wanted to pursue music even at a young age. My mom and dad were singers with a group called Lyric, and I remember going to rehearsals with them. There was a lot of music around me growing up. I started taking piano when I was 13. An opportunity came for me where I could go to the National Music School in Havana if I did the seven years of work I would have done in elementary school; I had to do it in two years or I was out. It was quite challenging for me to learn all the subjects, including piano, history, and theory. But I did my examination in Havana and got accepted.
It was a full-time music school, and I finished in 1991 when I was 18. I had to decide whether to go back to Santa Clara and be a teacher, or continue on to university for another five years. The Soviet Union had just collapsed and we didn’t know if the school was still going to be open; if you could picture Cuba at that time, it was a pretty depressing time to be away from home. I decided to go back to Santa Clara, where I taught at an elementary school for two years, and also taught adults.
It was a very rough time economically, and an opportunity came up in Varadero as a pianist in a show, and that was my start. I eventually found more opportunities and became a pianist in a piano bar at the Brisas del Caribe resort. I started taking English lessons and lyrical lessons. I was about 22 at the time.
For a year I lived in Varadero in very poor conditions, paying a very high price for rent in a resort area. I got tired of that, and rented about a half hour away in Matanzas; I had a whole house and paid less than in Varadero.
The resort’s drivers would pick us up at 4 p.m. and drop us off at 4 a.m., six days a week. It was good working at the piano bar because I got a lot of privileges. The food was good, plus drinks, etc. I could talk to tourists and I had a lot of free time to study my English. It was quite boring working 7 p.m. to 2 a.m., six days a week. But in those circumstances, I met my wife, and a big light came into my life.

The piano bar
Being a pianist and having a love for music, I was forced to balance my night between piano and karaoke. On nights where people didn’t care for piano, I had to turn on the karaoke machine. One night, Marcy was sitting beside the bar. She had a little tape player and was listening to some nice music. I stopped by her table during a break and said to myself, “Wow! Who is she, listening to this good music and her hair bouncing around?” She certainly paid attention to me and we found something in each other right away.
I sat down and she offered me a drink. She told me about her family, and that her dad had passed away a couple of months before. After that, we decided to meet for dinner. She asked me what my favourite colour was, and I said blue. She went and changed into a blue dress! We had dinner and it was very interesting to talk to her. I was concerned at the beginning about where things were leading, but she treated me well. She treated me not as a Cuban, conscious of our situation, like other tourists do.
Not too long after we met, we were having drinks in a bar on New Year’s Eve 2000. I asked her if she would marry me and she said, “Yes. I’ll marry you.”
After that she went back and forth to Cuba several times and we used to email each other every day. I have several books full of printed emails from day one to the day I arrived here. In April, three months after we were engaged, we got married in a park in Cuba with a few friends; it was a beautiful wedding.

Coming to Canada
I came to Canada in February 2001. Challenge number one was the language: speaking properly, understanding it, and learning how things work here. I’ve always been concerned and aware of the expectation that if you’re a teacher, people expect you to speak properly. Canada has been great because it has given me the opportunity to do anything I want. Here are the doors, you can open any one you want. I had to start from zero, so I had a vision of what I wanted to do and that’s the only thing that kept me going. Eventually people recognize the work you do if you work with love and you’re consistent with what you believe. That’s true of any business.
Canada gave me opportunities to do what I wanted to do. But it could have been awful, too, if I had come here and found that people didn’t believe in what I believe, or that Marcy wasn’t the way she was down there. Fortunately, everything was as I thought it would be.
I really took a risk coming here, but my wife was the big light in my life and believed in me. Today, we’re still fulfilling the dream we started based on our mutual trust and the love of music we share.

Teaching music
When I was working in Cuba, I was always dreaming, and those dreams are what I do now. Down there, there was always a big roadblock that would not allow me to realize my dreams. I used to go inside my own world to be able to survive depression and the lack of freedom. I think that’s the only way I was able to survive.
When I finished school in 1991, I had this dream of teaching, and I found after a while that it wasn’t what I was supposed to be doing because I couldn’t make a living at it. That’s why I pursued the piano bar job. Now I’m free to do what I want and I’m respected. I work every day to make sure I do the right things. I know that working hard will eventually pay off.
In Canada, music has to be fun, and people take it as the third or fourth thing they do (after sports, etc.). I can teach anyone who comes how to play piano the right way. There are no short cuts if you want to learn the right way. But I have students who just want to learn a little bit, for example chording. You have to understand what people want you to teach them and focus on that.
I arrange my time based on when students are available. Students come for half an hour or an hour, and I teach individually or duets. I follow the Royal Conservatory curriculum, but some students prefer to just play along and learn some popular stuff.
I work at the Forest United Church, and I see myself playing at church and developing choirs and working with children. I enjoy that and working around the area at restaurants and bars. I work hard at everything I do and I take all the experience I have in popular and jazz to my church, and I’ve gotten a good response.

I see myself in every one of the students who come here. Everyone has something to offer and I take the best they can offer to make them start believing they can do it. You have to be patient and love what you do.

To learn more about Pedro Quintana’s music program for all ages, visit pedroquintana.ca, email pedromarcy (at) mac.com or call 519-238-2996.

The inevitable day has arrived.
I had hoped I would be able to continue to provide the Grand Bend Strip newspaper for free indefinitely, but after thinking long and hard this spring, I realize that the only way for the paper to publish this winter is to ask for your support.
Like you, I value the ability to learn more about the people who live and work in this community. I love meeting you and capturing your memories for the paper. This is what I feel I can bring to this community, and I want to stay here.
I also feel it’s important to bring to light some of the problems that exist here, and the challenges we face in this community. I’m willing to put the work into creating quality journalism here, but I can’t do it alone.
The Strip will continue to be free until the end of the summer, which on most people’s calendar is the Thanksgiving weekend. After that, it will be available only to Strip Club VIP members. Even the website will be restricted to VIPs. I have yet to decide whether the exclusivity will continue next summer.
I promise to make membership worthwhile, and hope you will contribute to surveys to improve the paper, and take advantage of special offers from our advertising clients.
For more information about club membership, please see our subscription page.

Every Sunday
11:30 a.m. – 4 p.m. – Pinery Flea Market
Live Music with Brian Dale

Saturday, June 14
3 to 6 p.m. – Grand Bend Legion
Live Music with The Persuaders

Saturday, June 21
3 to 6 p.m. – Grand Bend Legion
Live Music with Cactus Jam

Tuesday, June 24
to July 12 – Huron Country Playhouse
Sorry… I’m Canadian. For tickets, call 1-888-449-4463 or visit http://www.huroncountryplayhouse.com

Every Sunday
11:30 a.m. to 4 p.m. – Pinery Flea Market
Live Music with Brian Dale

Saturday, May 31
3 to 6 p.m. – Grand Bend Legion
Live Music with Jimmy Vail

6 p.m. – Stanley Recreation Complex, Varna
The Blyth Festival Singers Celebrate Canada. Featuring award-winning step-dancing and fiddling duo Matthew and Sherry Johnson. Cabaret Dinner, Concert and Silent Auction. Adults $25, children 12 and under $12. Tickets available from Blyth Festival Singers, Tasty Nu Bakery, Village Bookshop, The Dutch Store.

North Middlesex Arena, Parkhill
Show & Dance Elvis, Johnny Cash & Roy Orbison. Las Vegas World Champion “Elvis” Roy Le Blanc & his band “The Combination” with “The Man in Blank” a tribute to Johnny Cash & Roy Orbison. Show, Dance, Cash Bar, food all for $25. Call 519-294-4767 or 519-294-6215 for tickets.

Tuesday, June 3
to June 21 – Huron Country Playhouse
My Fair Lady.
For tickets, call 1-888-449-4463.

Friday, June 6
5 p.m. – StarDust Dinner Theatre, Parkhill
Angels & Outlaws Country Music Tribute

Saturday, June 7
3 to 6 p.m. – Grand Bend Legion
Live Music with Midlife Crisis

5 p.m. – StarDust Dinner Theatre, Parkhill
Angels & Outlaws Country Music Tribute

The South Huron District High School percussion ensemble earned a gold standing award at the MusicFest Canada national competition. For more, see music teacher Isaac Moore’s blog.

The South Huron District High School senior band earned a bronze medal this afternoon at the MusicFest Canada national competition.

Music teacher Isaac Moore is keeping the school’s bands’ progress in Ottawa on his blog.

The South Huron District High School wind ensemble performed Wednesday morning at MusicFest Canada and is bringing home a silver award for their performance.

For the most up-to-date news about the competition, where other SHDHS bands are performing, visit music teacher Isaac Moore’s blog.

Saturday, May 17
3 to 6 p.m. – Grand Bend Legion
Live Music with Ben Shane and Bobby K

Sunday, May 18
11:30 a.m. to 4 p.m. – Pinery Flea Market
Live Music with Brian Dale

Friday, May 23
5 p.m. – StarDust Dinner Theatre, Parkhill
Almost Abba

Saturday, May 24
3 to 6 p.m. – Grand Bend Legion
Live Music with Bob Finlay

5 p.m. – StarDust Dinner Theatre, Parkhill
Almost Abba

MusicFest chooses Carly Schroeder as one of the best music students in Canada; three SHDHS bands competing nationally

Story and photo by Casey Lessard

Grade 12 student Carly Schroeder is representing South Huron District High School and her hometown of Dashwood when she heads to Ottawa next month (May 12-18) to perform in the MusicFest Canada national concert band. But her parents won’t be there to see it.
“We’re feeling really bad about that,” says mom Brenda Schroeder. Before they knew Carly was accepted into the band as an alto saxophonist, Brenda and Steve had booked a trip to visit Carly’s brother, an RCMP officer in B.C. “We leave on Thursday and she performs on Friday. The timing’s all bad, so we’re hoping there will be CDs or DVDs that record the event. When it comes to your kids, you like to see them in such situations.”
You can’t blame the Schroeders for making plans; her selection to be part of the band was certainly a surprise to Carly.
“I didn’t expect to get chosen,” she says. “It was a little overwhelming at first. I was like, Are you sure?”
An email mix-up didn’t help. After sending the first confirmation message, something confusing happened.
“They sent me a second one that was addressed to Ryan someone. I emailed them back and a couple of weeks later, they sent me another email to say yes, that I was in. It was kind of a long process.”
That process began when music teacher Isaac Moore helped her record a CD of work learned during lessons with Ryan Fraser of London.
“The pieces I played were not your typical alto saxophone songs,” Carly notes. “The first song I played had this growling part to it, and it was really fun. I wasn’t sure what they’d think about it. Then there was another second movement to it that was more typical.”
The judges must have been impressed, says MusicFest Canada executive director Jim Howard.
“It’s very difficult to get into the saxophone section because Dr. Jeremy Brown (the head of music at the University of Calgary) is a world-renowned saxophone player,” he told the Strip from Calgary. “She must be very, very good to get in there.”
“This is kind of the ultimate honour band,” he adds, noting the band consists of 55-60 students from across the country. “It’s an amazing experience. We run it like a camp as opposed to running it like a touring band. Yamaha provides clinics to sectionals with them during the week. They get access to the MusicFest Canada master classes, and they get to play music they’re normally not going to get to play. They’re playing such a high level of music, even university bands aren’t tackling the repertoire these kids are going to play.”
University scouts will be at the National Arts Centre in Ottawa to hear Carly and the rest of the band play, bringing with them $100,000 in scholarships to attract the best to their schools.
The band will practice for nine hours a day for four days, and then perform twice as a group. Howard estimates about 2500 students will jam the hall to see them perform. A big event for a small-town teen who became attracted to the saxophone as a student with Exeter’s Lori Erb.
“My parents put me in Music for Young Children when I was six,” Carly says. “That was piano, and I picked up the saxophone in high school. I loved jazz and blues, and I played my first blues song on the piano. That’s when I decided I wanted to play saxophone.”
“At about Grade 3 piano, she was wavering and wasn’t enjoying it,” Brenda adds, “and Lori had the insight to let her have a whole year of playing blues and jazz, staying away from the conservatory pieces. That was a real turning point for her.”
Besides jazz and blues, Carly loves classic rock, favouring the Beatles, Rolling Stones and Led Zeppelin. Classical music can be heard when she’s studying. And there will be many more years of that. She’s planning on becoming a high school music teacher.
“Music has always been a huge part of my life,” she says. “I don’t see my life without it. Seeing this high school music department, it’s awesome how it brings people together.”
Bringing people together is what the music department does best, and three of its ensembles are heading to Ottawa with Carly. The senior concert band, wind ensemble and percussion ensemble excelled at the regional MusicFest in London last month, with the percussion ensemble earning the coveted gold status.
“It’s nice to be recognized for the hard work we do here,” says teacher Isaac Moore. “The national thing is pretty special because it means some of the best bands in the country come from right here in Exeter, Ontario.”
The music department’s annual Cabaret will showcase some of the work being performed at the nationals. The Cabaret happens Saturday, April 19 at 7 p.m. and Sunday, April 20 at 2 p.m. All of the department’s bands will be featured.

Students at Parkhill’s North Middlesex District High School are preparing their annual dramatic performance, this year producing the musical Grease: You’re the One that I Want. The play runs May 8, 9 and 10 at 7 p.m. at the high school. “We thought it was something the students would be excited about performing,” says music director Rod Culham. “It has 50s and 60s rock, and that’s always fun to do and yet fairly simple. And the story line is where they are: teenagers in high school. It has love relationships that involve being bad and good.
“Contrary to popular belief, I don’t think kids have changed that much since the 50s. There are differences, of course, but there has always been the investigation of good and evil, the excitement of sexual tension, and the element of teasing each other, the questioning of adult authority. The same sorts of things that were relevant then are still relevant today.”
Sandra Smith directs the play, with technical direction by Rick Pardo, costumes by Lindsay Denning and choreography by Andrea Wegg. The production involves a cast of more than 20 students, six instrumentalists, and many adults assisting.
Tickets are $8 for adults and $6 for seniors and students, and are available by calling the school at 519-294-1128.

The StarDust dinner theatre wants your help making this Christmas a happy one for area kids and their families. The Parkhill theatre is donating the profits from its December 8 & 9 Rod Stewart (by Doug Varty) tribute shows to the Ailsa Craig food bank. The theatre will also receive donations of toys and non-perishable food items at the theatre that weekend from 10 a.m. to 9 p.m. both days. Owner Dustin Pritchard hopes to be able to donate $3000 through Middlesex Christian Ministries. For tickets or information, call 519-636-8863.

Grand Bend Legion
May 19 3-6pm

Hometown: St. Thomas
Personal Style: Everything from early war tunes to East Coast Canada to Elvis, 50s, 60s, 70s. Canadian folk music. Audience participation.
Influences: My dad; high school teacher Frank Hurlehay; vocal coach and Caledonians accompanist Dr. Wayne Carroll
What people can expect: A fun, lively, entertaining high caliber afternoon.

Interview and photo by Casey Lessard

Who inspires you?
My dad. My dad’s passed now, but he got me into music. Andy Stewart, a huge Scottish entertainer. When I came to Canada, Gordon Lightfoot and the Guess Who. Then Neil Diamond and Elvis, the Eagles.

What makes you want to sing?
It’s my very being. I’ve been an entertainer since I was 15 years of age. It’s going on 38 years I’ve been playing Legions and around the world. There’s a deep internal drive. It’s a God-given talent that needs to be shared.

Where do you like to perform?
I perform many different ways. The Caledonians play stage shows; that’s the top professional level of what I do. I’ve played in Scotland, Vegas, Disneyworld, New York, East coast, West coast. But I also play Highland Games and I enjoy that. I also love Legions and war tunes because it gives people memories of times past. When people come in, they come from all walks of life, but they go out saying they had a good afternoon with Bob.

When do you find time for yourself?
I’m a therapeutic music recreationist at Regional Mental Health Care at St. Joseph’s in London. With that, I’ve done a lot of re-teaching musical instruments to clients who in turn go out and perform at seniors’ homes.

Why did you become a musician?
It’s my destiny. When I was a boy, our family would have get-togethers and music was always there. Everyone would pick up an instrument and then I took lessons. Eventually it’s all you do. Music is the very essence of who I am. It shows the minute I step on stage or when I talk to someone.

Grand Bend Legion
May 26 3-6pm

Hometown: Originally from East Coast; currently London
Personal Style: All over the place. Started out playing classical; folk after school; session musician in L.A.; rock solo act in Canada.
Influences: Bob Dylan to Pink Floyd to Buddy Guy. Heavily influenced by jazz. I’m constantly studying that type of music.
What people can expect: At the Legion: Irish, older tunes, dance music from the swing era, 50s, 60s. At the clubs: Stone Temple Pilots, Tragically Hip, Black Sabbath, etc.

Interview and photo by Casey Lessard

Who blows your mind?
Miles Davis. What he did was took jazz and infused it with rock, which has become the focus of all musicians these days. Pink Floyd acknowledges that he was the inspiration for Dark Side of the Moon. I like Buddy Guy but that’s in my personal time.

What inspires you?
My kids; I have three. And my wife. My family is the source of the magic.

Where did you get your first big break?
When I was around 19 I was playing at the Kee to Bala (in Muskoka). I was the house band there and they asked me to open for a band called Max Webster (with lead singer Kim Mitchell). I had to walk on with just a guitar in front of this big crowd, and it actually went really well. That’s when I realized that I could make a go at it as a professional musician.

When is your favourite time of day?
Early morning, but I don’t see it very often in my line of work. I love the sunrise. The only time I see six or seven o’clock is when I’m on holiday, whereas most people try to avoid that when they’re on holiday.

Why do you do it?
I’m a musician. I don’t have a choice (laughs). It’s always called me and I just keep doing it. I decided a couple years ago to cut back on the traveling and have focused on teaching because I was away too much. So now I play three times a week, and I get a big kick out of teaching and watching the people I’m teaching on the verge of going pro.

Mike is working on a book called Campfire Guitar, which will be released in 4-6 months.

Oakwood Inn
May 18, 19, 20 8pm to 12am

The Stone Angels are Parkhill residents Gloria Martin (lead guitar, percussion and harmony) and Anjhela Michielsen (lead vocals, rhythm guitar, keyboard and harmonica).

Interview and photo by Casey Lessard

Personal Style:
A: It seems like I’m attracted to something that’s really authentic and genuine. That transfers into all aspects of my life; not just music – also my personal life choices. It seems to be a whole lifestyle.
G: I’m a really soulful, reflective person. That carries over into my music and my life. I’m interested in the environment and social justice. I love animals and enjoy relating to people.

Influences:
A: Sarah McLachlan and Jewel definitely influenced my new immersion of music in the last eight years. Before that I was totally into musical theatre. But when I first played guitar I started out strumming Jewel songs and my style has evolved from that.
G: My parents were a big influence; all five of us as children got musical training and we eventually performed as a family. From country and gospel to folk rock and popular music, I have an appreciation for a wide range of music, and that’s reflected in our show. I love music with strong harmonies and groups that harmonize well together.

What people can expect:
A: They can expect to have a good time. We’re not a dance band, but they can expect to be entertained. They can sit back and enjoy and have a more intimate kind of concert.
G: We’ve been told it’s a classy show and that we have really strong vocals. It’s a stripped down show but it’s a really nice sound to listen to. They’ll hear a lot of their favourite songs with a new twist.
A: They know the music, but we add a signature sound that makes it Stone Angels.

Who’s in charge here?
A: I’m in charge of choice of music and arranging. A lot of the creative process is something that happens from us playing together. It’s all a process where we discuss everything.
G: We respect each other’s strengths and we defer to each other’s area of strength. I handle a lot of the business management and the public relations stuff.
What is the most common thing you hear from your audiences?
G: They love our sound.
A: They love the harmonies, love the way we sound together and the selection of music. They always comment that they love what we’ve done with the music.
G: They often comment as well about how professional our show is. They seem to really respect that.

Where was your first show together?
A: At the Grate in Parkhill, actually. We had done some weddings, but our first real venue was the Grate, which was a restaurant.
G: We did a party for our friend Lynn. It was a big birthday bash so the place was just filled. We performed for the night and had a really great reception. The Grate liked what we did and asked whether we wanted to come back and do something on a regular basis. Anj started doing some solo there and I joined in.
A: Singing covers alone can turn into glorified karaoke. Adding the second person allows you to be so much more creative in covering songs. You can add harmonies and two instruments and instrumentation, which helped me a lot with arranging the music.

When did you realize you could do this full-time?
A: We did a buskers’ festival and we had a great reception. We got second place in our first year.
G: We got first at the St. Thomas buskers’ festival the following year. After having a great reception at the Port Stanley buskers’ festival, we approached a small café called Jimmy C’s that had live entertainment. They gave us a regular gig and we got quite a following there and made friends. There we found a guy who was interested in managing us and we made a CD.

Why have you decided to remain in Southwestern Ontario?
A: We both grew up around here, so our families and friends are here. So we both feel comfortable in this area. This is the place we love to be. We’re in a hub; we’re not far away from a lot of things. We can still enjoy country living but we’re close to London, Stratford, Grand Bend and even Toronto. It’s all within driving distance.
G: What is difficult is doing the driving, the hours on the road late at night and all that’s involved in that. We just discovered over the years that that becomes a burnout situation.
You’re competing with all the locals in any of the cities. If they can hire a band and they’re earning the same as us, but we have to drive there, it’s not financially viable. So you want to get something as close to home as possible.
It’s difficult to find a partner whose voice blends well with yours, and when you find that you want to hold onto it. This is where we want to be and it hasn’t been attractive enough to go elsewhere.

Hear samples of the Stone Angels’ music at their website:
http://www.stone-angels.com