It’s already been a big year for Zurich musician Lance Bedard, most recently nominated for best Pop Artist/Group of the Year in the London Music Awards. The nomination and growing radio play are early highlights of 2010 that Bedard and his band hope to build on as the year progresses. They are currently wrapping up a six-song EP album after industry advisors recommended a better quality recording.
“The last EP, Restless, got great feedback,” Bedard says. “Industry professionals told us the recording was not near up to par for prime time radio, but that the songs are good.”
Taking the feedback to heart, the band recorded four new songs and was ready to press it, but decided to add two more before releasing the EP.
This spring, Bedard plans to release the song “Sunday Afternoon” on iTunes, and the band is strategically planning to coordinate fan purchases in one day to draw industry attention to the song’s popularity.
The band’s popularity has translated into the London Music Award nomination, but he can’t win without fans voting for him. To vote, visit the contest website at http://www.londonmusicawards.com. Other local bands nominated include River Junction Band, Vintage Moments, and Brownsyn Jerome.
In the meantime, plan to attend the band’s “Post Recording Party” Friday, February 26 at the Zurich Bluewater Community Centre. Brownsyn Jerome is the opening act. Tickets are $5 in advance, or $7 at the door; the event starts at 9 p.m. Proceeds go to support a Performing Arts Society of Ontario scholarship for a student at South Huron District High School.
To learn more about Lance Bedard, visit his website at http://www.myspace.com/lanceromance01

SHDHS receives $10,000 CARAS instrument grant

Story and photos by Casey Lessard

Music students at South Huron District High School are blowing new horns after the school’s music program received a $10,000 equipment grant from the Canadian Academy of Recording Arts and Sciences (CARAS).
“You’d be surprised how much equipment costs,” says music director Isaac Moore. “We were able to refresh every section a little bit and that helps us out in terms of the longevity of the program’s equipment in general. We got three flutes, three clarinets, three trumpets, three trombones, one new baritone, one tenor sax and two alto saxes.”
Close to 70 senior band members use a school instrument, and the intermediate band adds more users, so the need for decent equipment is high.
“Having one that works well makes a huge difference,” says saxophonist Trish Pavjeke, who uses her own instrument. “Some of the older saxophones are gross. They’ve been used for 100 years. The keys stick and the necks swivel back and forth. I’ve tried the new ones and they’re really nice. They work perfectly.”
While Pavjeke’s 100 year estimate is a bit off, former music teacher Bob Robilliard says some of the equipment was due.
“When I first came here, the equipment was one year old,” Robilliard says, noting the program started in 1986. “Most of that equipment is still here and still being used. Most school line equipment has a life of 25 years. It gets a lot of use.”
CARAS issued 60 MusiCounts Band Aid grants across Canada in 2009, and South Huron is one of the only rural schools in Ontario receiving the grant. Letters of support from the community were key to getting the grant on the first attempt, Moore says, noting some schools try many times unsuccessfully.
“It came around at a nice time for us,” he says. “The instruments have been heavily used. I wasn’t sure how we would pay for new ones. Having good equipment for the kids to play is really motivating. Without this, I’d have to build a case to the board, which has been very supportive of us, but its budget is finite like ours.”
As a result of the grant, some of the school’s older equipment will be transferred to another school in the board.
The band showed off the equipment for the first time at this weekend’s school concert, but Moore suggests the audience may not see a noticeable difference in sound, but it certainly makes playing easier.
“It’s like buying a new car. It’s not like it takes you anywhere faster, but it’s a more enjoyable experience and lasts longer. Eventually things need to be replaced. Plus, the older it is, the more you have to put into repair, so that will save us a lot.”
And while the actual sound may be the same, music council president Joe Pavjeke thinks the musicians will sound better because they’ll have more confidence.
“It’s like we’re getting recognized for our work. The students notice that. It shows that what we’re doing is a big deal.”

Father Brad Dunbar has been rector of Trivitt Memorial Church in Exeter and St. John-by-the-Lake in Grand Bend for the past two years, and recently presided over Trivitt’s 150th anniversary celebrations.

As told to Casey Lessard
Photos by Casey Lessard

Trivitt has begun to recognize that we live in a post-Christian era. The days when everyone went to church Sunday mornings are gone. Families are way too busy. So what’s been happening is a looking back to the early church and trying to do the things that started Christianity: feeding people, housing people, and trying to be a voice for people who don’t have one. It’s active, not passive.
We have a three pronged approach: we look to our world, we look to our region, and we look to the town of Exeter. With our global view, Trivitt has been active in the construction of an AIDS clinic in South Africa, and that’s been a big project. In our area, we’ve been sponsoring Huron University College to support their trans-cultural projects. And in a big way, we’ve worked aggressively in being part of the town of Exeter. The money raised at our Thanksgiving celebration went to the Habitat for Humanity in Exeter. We have a weekly Alpha program that includes a free meal. There’s a free monthly meal hosted the third week of the month for the needy, and we go to the different agencies that help people who are on social assistance, and the end of the month is a tough time for those people, so Trivitt tries to feed them.

Spirituality’s important, and how it is expressed can be varied. We’re trying to bring a message of hope and good news to Exeter, but being creative about it. We’d like to make our physical space available for the town when it’s needed. We want to be a civic church and a centre for the community.
I’m involved in Fresh Expressions (www.freshexpressions.ca), and the idea is to find new ways to meet people half way. The folks who are in their 20s and 30s don’t necessarily have a church memory, but they have a strong spirituality. If you go to Chapters, the best sellers on the shelf will all be books on spirituality. So it’s important for people. What we’re trying to realize and live out is the traditional method isn’t going to work in the reality we live in. We’re looking toward the church of 2050 as opposed to the church of 1950, and I think that’s going to look quite different.
The building will still exist – it’s architecturally significant. The church will look different. The interior will not look like it does today. Just like banks and schools have changed in the last 100 years, so will the church change to meet the needs of the community using it. What the people in their teens and 20s are going to look for is different than what it looked like in 1950. You can’t avoid technology, and I think it will be a big part of how the church looks. Kids today are the generation of the screen. They work and learn and play using the screen. It will be a significant change for the Anglican church. New churches look more like gymnasia than churches, and it’s intentional. People are more comfortable walking into a gymnasium than they are walking into a church. Our building will show the history of the church, but will change to meet the needs of the emerging generation of churchgoers.

For a lot of people, walking into a church building – and we look like a traditional church – can be a very intimidating thing. It can be a barrier for people, so when we hold concerts and shows and other events, and people are able to come in and enjoy, they get a little more comfortable with coming into our worship space. If they don’t go to church, it’s a gentle way to say, Hey, we’re here. If they have something in their lives that makes them need to speak to a pastor, we want to be an option they consider. We also see it as a benefit to the community; we have the physical space to put on big productions and we would like to bring them to South Huron, and we don’t think you have to drive to London for that.
We’re looking at a couple of very contemporary services that we’re hoping to start in Exeter at a different time than Sunday morning. Often, that’s the only time of the week you can relax, sleep in and have bacon and eggs or whatever. We’re going to offer church in a worship sense at different times of the week. We’re also looking at programs that feed someone’s spirit but don’t seem like traditional worship.

The parish spent some time doing some soul searching, and we discovered that music was very important to us and to Exeter. In bringing music director Janet Heerema in, we’ve brought a music professional in full-time and she has made a dramatic impact right from the start. She does an adult choir, children’s choir and a hand-bell choir, which are community based, and the Trivitt choir. The community choirs have people from various churches in the area, and some who don’t go to church. As a church, it’s a gift to the community: we pay her salary and she spends a great deal of her time working on music for the community.
We have an aggressive arts agenda over the next 10 months. We created an arts and culture community and started brainstorming what people might enjoy in the area. The Three Cantors came up on the list, and they work out well for us because they donate from the proceeds of the show to the Huron Hunger Fund, which is affiliated with the Primate’s World Relief and Development Fund. It becomes a charitable event, and they’re a big draw, so it will sell out.

Future concerts include a children’s choir concert Dec. 6, and a Christian rock concert in March. The Three Cantors (www.3cantors.com) perform Wed., Nov. 18 at 7:30 p.m. Tickets are $20 available online (www.trivitt.ca).

Inspired by Brian Dale’s Miss Grand Bend, a group of radio listeners is fighting to win CBC’s Great Canadian SongQuest

Story and file photos by Casey Lessard

Only days remain to vote for Grand Bend (or its competitors) in CBC Radio 2’s Great Canadian Songquest, a contest to choose one town from each province to be immortalized in song. Grand Bend made it into the top five for Ontario thanks to some aggressive voting by enthusiastic radio listeners, including Brantford resident and Klondyke Park trailer owner Frank Beattie, University of Western Ontario sociology student Heidi Klopp and others.
“It’s about getting Grand Bend noticed and recognized,” says Klopp, 20, a Zurich veteran who now considers Grand Bend home. “It’s an awesome small town with as much to offer as the big towns.”
Beattie and Klopp thought the contest would be a good way to promote their favourite iconic song about the village, Brian Dale’s “Miss Grand Bend”, which is now available on Dale’s peace/love/waves/song CD that came out this summer. Plans to promote Dale’s music changed somewhat after nominations began and the nominators realized the contest wasn’t to recognize songs that already existed (vis-a-vis “Miss Grand Bend”), but rather to find 13 places across Canada that would be written about by an artist from each province. For Ontario, the artists are Jully Black (R&B/soul), Hawksley Workman (alternative), Shad K (rap), Lynn Miles (folk/roots), and Justin Rutledge (alt-country).
“It’s too bad they’re not using local artists like Brian, Greg Gallello, Natalie Tobin,” Klopp says, “but it’s still a good thing for our town.”
It’s a misunderstanding shared by early Grand Bend bid supporter Frank Beattie, 56, who heard about the contest from a friend.
“All I could think about was Brian’s new album, released after all these years, and thought maybe this is a place to suggest ‘Miss Grand Bend’ as a candidate for the contest,” Beattie says. “They had a few blogging tools that allowed you to create a blog to promote your place. Every time you logged in, you could nominate your town, so on the first day while updating the blog, I voted enough to get us off to a pretty good start.”
A good start is an understatement. At times, Grand Bend was in the lead, and finished in the top five, good enough to be a finalist. After a week of voting, says CBC Radio director of music Mark Steinmetz, Grand Bend was fourth after Algonquin Park, Sleeping Giant (Thunder Bay) and Toronto; Picton was fifth. It’s a proud accomplishment for Beattie, who nine years ago had no idea where Grand Bend was.
“After finishing a big project at work, my boss said we needed to get away,” he says. “There were eight of us involved in that project, and our entire company was dependent on our group, so he decided to leave them on their own while we went away during the middle of the week. We rolled in on Wednesday night. I remember calling my wife and saying, ‘This is unbelievable. It’s an hour and a half away from home (Brantford) and it’s got everything we want.’”
Two weeks later, he brought his wife for a stay at the Oakwood.
“We sat in the dining room for a late dinner and the sunset coming down Oakwood Drive hooked us.” Later that summer, they bought a used trailer at the Klondyke Trailer Park. “Best investment we’ve made,” he says.
His passion for the village is apparent, and his love for local music – among the reasons he and his wife decided to stay – makes him want to promote it across Canada.
“Brian has been adamant since this started that we promote the town, not him. To me, Grand Bend is a secret and a gem. It’s priceless and not well-known. Do we want to lose our paradise? The answer is no, but I’ve been promoting Grand Bend for eight years and the only person to ever take me up on my offer, my neighbour at work, is now my neighbour at the park. He and his partner just love it.”
“It’s a town for everybody and every age group,” Klopp says. “No matter how old or young, there’s something for you.”
For Klopp, the people are the main attraction, then the location. And of course, there’s the music.
“We’re a very musical town, and everyone feels the music. Even if you can’t get up and dance (at a Gables jam night, for example), you can bop to the music.”
For Beattie, the location is the inspiration.
“The beach, the lake, sunsets, the strip, the atmosphere. It’s like Gravenhurst, but it’s 40 minutes from London and an hour from Stratford.”
That’s why CBC Songquest is a good fit, Klopp says.
“I thought it was exactly what Grand Bend needs with the new downtown and beach renovations. What’s the point of spending those millions of dollars if no one comes? Tourism has definitely been down these past few years. It’s great that the locals get to enjoy it, but we want to share it with everyone else as well.”
Just the type of message CBC hopes will come out of the contest, in addition to raising awareness of a recent format change at Radio 2.
“We wanted something to engage Canadians, the artistic community, and our people here to come up with 13 new songs commissioned by the CBC that represented towns across the country,” Mark Steinmetz says. “Rather than us dictating how it was going to go and who we would commission, we thought it would be great to open it up to Canadians.”
While expecting major urban centres to make the top five for each province, he notes that smaller centres are leading the pack. “It’s a tight race right now for what people are voting for,” he says. “It’s a way to discover new artists in this country. We play a diverse range of music, and there are so many great artists out there that don’t get played on private stations.”
Plus it’s a good way to create new music about Canada.
“I don’t know if you know this, but Gordon Lightfoot’s ‘Canadian Railroad Trilogy’ was actually a CBC commission (for the centennial year, 1967),” Steinmetz notes. “We’ve commissioned many types of music. That came from internally. Now Canadians get to help us decide who we’re going to commission. And who knows, one of these songs could become a song that gets embedded in the nation’s consciousness.”
Local listeners hope Grand Bend inspires that song. The final days of the contest will be tough, but Beattie remains as optimistic as he can.
“I think it’s going to take a miracle now to win. Toronto has a few million people, while we have a few thousand. Brian Dale says it right: to be successful in the music business, you need luck and connections, and for us to win this contest, it’s going to take a lot of both.”
“Vote as much as you can,” says Heidi Klopp. “You can vote once a day. Tell everyone you can. Listen to CBC radio, and spread the word.”
To vote, visit: http://www.cbc.ca/radio2/songquest/

The Band In You is building a following for bands that might hit their peak 10 or 20 years from now

Photos and story by Casey Lessard

Sitting outside a basement studio in the Dalton Subdivision south of Grand Bend, four teenagers wait their turn in Ken Dinel’s domain: his professional music recording studio. Surprised by the success of his project, The Band In You music school, Dinel has had to abandon basement space to expand the studio and the lounge, which is still in the renovation stage.
“I thought I might get five students and teach a little music,” Dinel says. “I didn’t expect a big turnout, but it just took off. And it took off fast. I didn’t do any advertising other than in the Strip, and the word of mouth spread. Kids started telling their friends they were in a band. My five-year-old group members are six now, and they went to Florida for a month; they drove their mom nuts telling everyone they’re in a band.”
Their passion for being part of something bigger than themselves has led to performances by The Band In You students at various community events this summer, including at the Canada Day celebrations and the Relay for Life.
“It’s different from what I’m used to, but a good different,” says 14-year-old Blake Percy of Grand Bend, a guitarist in the band Sweet ‘N’ Toxik. He joined the school after his mom saw the ad in this paper.
“I’m learning a lot of new things. Before I would learn how to play the guitar and go home and practice for hours and hours. Here, you’re learning how to play with other people in a band. The timing is a whole different thing. It’s like comparing an individual sport like tennis to a team sport like soccer.”
The band members range in age from three to 18, and there are seven bands in total. Band members come up with the names, such as Famous, Victim, and Rocket Stars. Everyone is involved in songwriting, which is the main thrust of the school.
“They come in and sit down, and we start writing,” Dinel says. “We’ll rewrite together until the song’s somewhat complete, and then it’s introduced to the band. If the bands are less capable of writing, we each take a turn writing a line and then it’s edited that way. The Rocking Kids are five years old, and they all wrote me a bunch of lyrics about being rock stars and I put it together for them. With Sweet ‘N’ Toxik, Kyla came in with a semi-finished song (“Building My Time Machine”), and we tore it down and rewrote it with new elements. Then we sat down and worked on the music for it. It all came together very quickly.
“From there, we go into the studio and lay down a bed track where the band performs the song together to a click track. Then we just start replacing parts one at a time. We redo it until it’s radio-worthy.”
That level of professionalism and solidarity is what attracts Dinel’s students.
“I thought I was the next Taylor Swift,” says Sweet ‘N’ Toxik singer Megan O’Brien, 15 of Zurich. “But then I got into the band and this is so much cooler because you get to share the hard work and pride with other people. I really want to hit it big with the band. I love sharing our music with people. When I’m listening to the radio, I’ll hear a song that makes me say, ‘I’m so glad they wrote that.’ I want to share that with people.”
Sharing the music is part of the appeal for Kyla Hunt-Beach of Grand Bend, also a singer with the band.
“I like being able to perform and entertain,” says the 17-year-old. “I like being able to work in a team as a band. It’s been really amazing.
“The highlight is playing at concerts,” Kyla says. “The first one at the Grand Bend Public School Family Fun Day was amazing. I loved how there was a big crowd and how enthusiastic they were. I loved how they came up afterward and complimented us.”
Blake Percy agrees.
“It’s great seeing people come out to watch you play because I’m not used to that. Our band is good, so we get good applause and that’s a rush.”
Dinel estimates the school’s show has about 200 loyal fans, so he’s looking forward to taking the bands on tour locally. Coming off well-received shows this summer, Dinel has started picking up paying gigs for his students.
“The original goal of the school was to teach them how to write songs and record them,” he says. “Now that the school’s full, we’re going to develop a show. They’ll write and perform originals and covers, and each band will have its own set.
“We’ve been promised radio. Next year, I want to take these kids on tour locally. Then it’s TV. They’re very young, but there’s an It factor. We’ve performed with some bigger bands, and the bigger audience seems to be when the kids are on. We don’t see kids play, so it’s a rarity. And it’s coming out of Grand Bend.”
That said, the performers are still kids, so they’re not polished professionals, although there are a few prodigies. For Dinel, career longevity is the key, and that comes from accountability and desire, even if their age sometimes shows in the lyrics and sound.
“There’s a lot of editing at this stage,” Dinel admits. “But they get better each time they do the process. They’ve been here six months, so imagine them in two years. Grand Bend’s going to have some serious music out of this. Victim is a very committed band; my daughter’s in that one. They’re the real deal, and in two years they’ll only be 10!
“Most garage bands typically envision these ideas (touring, recording, etc.), but don’t go any further because they don’t have anyone to help them get there. I always push them to look forward. It’s more of a preparation mentality than a practice mentality.”
“I had lessons before,” adds Megan O’Brien, “and you go home and play, but it’s not fun. With a band, people are depending on you. We’re looking at the bigger picture.”
Mom Yvonne O’Brien is impressed.
“On several occasions, our daughters have been jamming and performing with other friends who have a lot more formal or traditional training. Their experience with The Band In You’s format was very apparent, and helped produce a more confident performance.”
Shannon O’Brien, 13, plays drums and is learning the bass. She agrees that the experience has helped boost her confidence in performance.
“Before, friends would come over and I’d be totally lost,” she says. “Now I can play with bands and it’s a lot better.”
“Ken is phenomenal,” Kyla Hunt-Beach says. “He’s really good to work with and easy to get along with. He gets you on track when you need to. It’s really fun and you don’t even realize when you’re practicing because you’re having so much fun. You get lost in the music because it’s so much fun.”
Dinel believes his process helps students relax, creating a desire to come back for more.
“When Kyla came in, she was conservative, safe and tense. Now, you see her in there and she’s a whole different person.
“I’m trying to put together bands that really get along well. There’s no inner dating. They’re respectful to each other. For the sake of longevity, they have to share the limelight, be respectful and encouraging to each other.”
That was a challenge at first for Kyla and Megan, who share the stage as singers in Sweet ‘N’ Toxik.
“At first, when we didn’t know each other, we kind of competed,” Megan says. “Not too bad, but we’d almost scream trying to get over each other. Finally we said, we want to sound good, and we sound good together. We’re both equally in this, so let’s just do it. Now we hang out all the time. We’re good friends. It wasn’t like that before, but now it is.”
Together they are stronger, they say, and they’re in it for the long haul.
“I want our band to get big and become well known, ” Kyla says. “ To be able to travel and tour. I just hope it grows. It’s going to be hard, but that’s how you get big.”
Thirteen-year-old Shannon’s prepared for the ride.
“I’d like to see people know our band. That would be the coolest thing.”
For Dinel, the end result is up to his students.
“It’s a self-defined experience,” he says. “We have a great time, but I do have expectations. If they don’t come in prepared, it’s not cool. As a band, they all feel part of something greater than their everyday life.”

The school’s roster is full, but has a waiting list that could be drawn upon in the fall. To join the waiting list and be part of the process, contact Ken Dinel at thebandinyou (at) hay.net

Late night television fans have the opportunity to see Jimmy Fallon’s Late Night house band, The Roots, when they perform at the Cutting Edge Music Festival August 2 at the Motorplex. Named by Rolling Stone Magazine as one of the “twenty greatest live acts in the world,” The Roots are releasing a new album this summer. The eight-piece Philadelphia hip-hop band has performed with such greats as Paul Simon, Public Enemy, Beastie Boys, and Mos Def.

It may sound like an odd place for a metal concert, but the Grand Bend Legion will host four metal bands, including Toronto’s To Cherish, Battlesoul from London, Grizzly from Wingham and a band yet to be announced. Also on the roster are indie rockers Blaze ‘n’ Murder of Wingham and punk group Streetcore of Clinton/Bayfield. The show is July 25 at the Grand Bend Legion.

Grand Bend Canada Day 2009 festivities
Wednesday, July 1 – Main Beach
4:30 p.m. – Ken Dinel’s The Band In You students present rock music
5 p.m. – Ruth’s Hat, Lance Bedard, Brian Dale, Vintage Moments
10 p.m. - fireworks

Zurich native Lance Bedard is on a roll after launching his debut solo CD, Restless, this spring; he’s already working on the second.
“I just went back in the studio last week,” Bedard says, “and I’m waiting on a reply for another (recording) grant so I can release a CD in the next year and a half.”
Bedard’s debut was recorded in Goderich at Dig Productions, where Rob McKercher blended Bedard’s sound with guests Nick Haberer, Marcel Gelinas and Mike Klaassen.
“You write a song, but you hear everything else,” he says, describing the value of collaborating with other artists. “You hear it in your head, but you can’t do it all at once. So when you finally get a chance to build a song from a small four chord progression to a full band production, that gets you fired up to make more music.”
Success at local gigs gave him the push he needed to record the songs he started writing more than five years ago. Early experiences with the Pillowheads and Point of Impact gave him his first exposure to putting together a studio album, but this time, he took the process much more seriously.
“To put this out on my own was something I always wanted to do and to get it out to everyone was the greatest feeling in the world. It’s probably my biggest accomplishment since I entered the music industry. To get everyone’s positive feedback made it all the better.”
Now the push is on to sell, sell, sell. He recently hired a manager to promote his work.
“This guy could take me to the next level. If I hadn’t made the CD, I wouldn’t have this opportunity.”
So it’s back in the studio for round two.
“Hearing the way the music is played and changing is an addicting process. You go there every day and you’re excited about making music. Just hearing yourself and some of the things you can do, it’s like raising a child.”
To hear samples from Lance Bedard’s Restless, visit http://www.myspace.com/lanceromance01

Grand Bend Canada Day 2009 festivities
Wednesday, July 1 – Main Beach
4:30 p.m. – Ken Dinel’s The Band In You students present rock music
5 p.m. – Ruth’s Hat, Lance Bedard, Brian Dale, Vintage Moments
10 p.m. - fireworks

Long-time Grand Bend performer Brian Dale has finally gotten around to putting together a CD for his fans, and he can’t wait to get it in their hands. There’s a catch, though; a manufacturing delay means it will be two weeks after the July 1 launch party (as part of Grand Bend’s Canada Day celebrations) before he can deliver the product.
“I could have done it a long time ago and pushed it and rushed it,” Dale says. “I didn’t want to force it.”
After all, after 15 years performing, you can wait two extra weeks for your first CD, right?
“I’ve been putting it off for close to 10 years,” Dale says. “It always seemed like whenever I got the time and money to do it, I would go on vacation and spend all of my time and money.
“I came home for Christmas from Costa Rica and was planning on going back. I went up to this little studio in Goderich that Lance Bedard was recording at, and he introduced me to the engineer. I finally decided I needed to get this done. ”
Although he won’t have the CD, tentatively titled peace/love/waves/song as a tribute to his email signoff, ready by the Canada Day event, he will be distributing free preview copies of a single from the album at the event. The CD will have 11 tracks, all originals written over the last 15 years. Some are old favourites for fans, while others are new songs to most.
“The songs were always written and performed acoustically. I always had a picture in my head of what the songs would sound like and I had never put it together with a group. Once I started recording, the songs matured, even more than we were expecting.”
“It’s been a long time coming, but we’re really, really happy with the way it’s turned out.”
Just what fans want to hear.
Brian Dale’s CD peace/love/waves/song will be available for $15 at Archies and local bars where he performs, and through online retailers. To learn more, visit his facebook fan page.

South Huron District High School’s music department spent four days from May 13-16 in Chicago as part of an experimental type of band trip. The Strip’s Casey Lessard tagged along.

Story and photos by Casey Lessard

“Two years ago in Cleveland, I met Benjamin Washington by happenstance,” says South Huron music teacher and band director Isaac Moore, speaking of Chicago King College Prep High School’s band director. “He needed a bass amp and I needed a trumpet, so we ended up talking and exchanging instruments for an hour or so. Because of that, we ended up talking about where each of us was from and how neat it would be if we tried to do something together. ”
Each year, South Huron’s music department takes a trip, but most of the recent trips have been for competitions.
“We could have done that again this year. But I wanted to give the kids a varied experience; we had never gone to Chicago, and a lot of kids were interested in going there.”
Sixty-six members of the band joined the trip, along with eight chaperones. The visit to America’s third largest city included sightseeing, a trip to the famed Chicago Symphony Orchestra and the Sears Tower, and lots of music. The band performed all day its second day, starting with a master class at a college for music teachers, followed by a jazz combo performance at Buddy Guy’s Legends bar. Then it was off to King College Prep for an afternoon and evening collaboration, which started with watching the one of the city’s best marching bands practise.
“Our marching band is everywhere, winning competitions,” says Benjamin Washington. “We’re like the Soul Train of Chicago. Just last year, we opened for the Stone Temple Pilots concert, Wynton Marsalis dropped by and played with us here. [U.S. President Obama’s house] is about three or four blocks from here. Marching around in the summer time, we would pass by it. I didn’t even know he lived there until the presidential election.”
Whether Obama ever noticed King’s marching band or not, percussionist Joe Pavkeje of Exeter found it valuable to see how King’s musicians perform, bobbing their heads while playing.
“It showed we could be doing a lot of things we’re not doing. Not that we’re not doing enough, but they have a different style that I thought was interesting. They really got into their music, which helps them with their stage presence. It makes them sound better. If they’re more into it, it makes it more enjoyable for everybody.”
While Pavkeje noticed the contrasts, Moore hopes he also noticed the similarities.
“We often think these major cities are better than what we’re doing here. Rural schools are have not and city schools are have. It shows the kids how special this school is and gives them perspective on how great they’re doing and how wonderful the music they’re doing is.”
Kristy Pavkeje is thankful for the experience, and knows who should get the credit.
“It’s a really high quality program. If you look around (elsewhere in our region), we seem to be more dedicated or something. A lot of that is due to Mr. Moore. He knows how to get the most out of this program for us. With the SHSM (Specialist High Skills Major) program (in Arts & Culture), it looks good when you go to university or college, and he worked hard to get it at the school.”
For Moore’s part, he notes he couldn’t pull it off without the overwhelming support of the community.
“The community is so, so important to what we’re doing here. They support our concerts to show our kids that what they’re doing is important. The fact that we have this extremely supportive community and excellent tradition of music at this school, it’s a machine that doesn’t seem to stop. Every day I come here, I don’t know who I’m thanking, but I’m thanking someone.”
Moore is eager to show the music program’s supporters what King College Prep is doing, and hopes Washington is able to bring his students to Exeter next year.
“Having the opportunity to see their marching band and the enthusiasm they have for music, it was infectious. Our kids loved watching their band perform, and this community would love seeing it, too. It’s really fun to watch.”
Washington is on board, too, and hopes it can happen.
“It gives the kids the opportunity to see children from other areas and see we’re doing the same thing,” he says. “I’m sure Mr. Moore is saying the same things: you’ve got to practise, you’ve got to listen, you’ve got to watch the rhythms. It gives the children a chance to see that what I’m trying to provide for them is what others are trying to do as well.”
Looking back on the trip, Moore hopes his students got enough time to interact with their Chicago counterparts.
“The students said the best part of the trip was socializing with students from the other school, and you can’t plan that. It would have been nice to have more time for that. It’s through that social bond that they see that we’re doing the same things here.”